PLU Guitar Festival
March 1, 2025
Mary Baker Russell Music Center | Elizabeth C.D. Brown & Stephen Howland, Directors
The festival will feature hands on Classical and Jazz guitar workshops, lectures and concerts with PLU guitar faculty members Elizabeth C.D. Brown and Dr. Stephen Howland alongside guests Leon Christian and Nawon Jang. Festival participants will have the opportunity to rehearse and perform in the Festival Guitar Orchestras, with music available in advance. All events take place at Pacific Lutheran University, in the Mary Baker Russell Music Center, with rehearsals and concerts held in the exquisite Lagerquist Concert Hall. The 2025 PLU Guitar Festival is supported in part by the Seattle Classic Guitar Society the Seattle Jazz Guitar Society, and the Rosewood Guitar.
Registration Costs:
Priority Registration Deadline: Friday, February 21. Please note we are unable to take registration and payment information at the festival.
- General ($60)
- Senior ($50)
- Grade 6 and Older Student ($30)
- PLU Student ($10)
Active members of the Seattle Classic Guitar Society and/or the Seattle Jazz Guitar Society will receive a $10 registration discount.
Please note that no refunds will be allowed after event registration has been completed.
Performing in Guitar Orchestras:
All registrants are strongly encouraged to participate in the Festival Guitar Orchestras, from beginning students to professionals. This is a great opportunity to have fun, meet fellow guitarists and enjoy the camaraderie that is such an enduring element of the PLU Guitar Festival. Participants are welcome to practice in advance (see below for sheet music and practice recordings), or just grab some music and play along!
In addition to performing in the Festival Guitar Orchestra, pre-existing ensembles (2 or more) also have the opportunity to perform in the 2:00pm Guitar Ensemble concert. Our faculty will also provide written feedback for these ensembles! If you have an ensemble interested in this opportunity please contact Elizabeth Brown no later than Friday, February 14.
Guitar Orchestra Music I
Guitar Orchestra Music will be posted here in late January.
Guitar Orchestra Music II
Guitar Orchestra Music will be posted here in late January.
Schedule:
- Noon – Registration Open, Mary Baker Russell Music Center Lobby
- Come pick up your packet with schedule, workshop handouts, concert tickets, etc. The MBRMC lobby is right outside the Lagerquist Concert Hall on the 3rd floor, which is the main floor of the building.
- 12:30 pm – Festival Guitar Orchestra Rehearsals, Lagerquist Concert Hall
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- Guitar Orchestra rehearsals for the afternoon concert. Participants are welcome to practice in advance (see “Perform in Guitar Orchestras” for sheet music and practice recordings), or just grab some music and play along!
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- 2:00 pm – Guitar Ensembles and Orchestra Concert, Lagerquist Concert Hall
- Various ensembles perform, including the PLU Guitar Orchestra and Ensemble and the Festival Guitar Orchestra. This performance is open the public, both in-person and via livestream.
In addition to performing in the Festival Guitar Orchestra, pre-existing ensembles (2 or more) also have the opportunity to perform in the 2:00pm Guitar Ensemble concert. We will also provide written feedback for these ensembles! If you have an ensemble interested in this opportunity please contact Elizabeth Brown no later than Friday, February 14.
- Various ensembles perform, including the PLU Guitar Orchestra and Ensemble and the Festival Guitar Orchestra. This performance is open the public, both in-person and via livestream.
- 3:00 pm – Workshop with Leon Christian, MBR 306
- Details coming soon!
- 4:00 pm – Workshop with Nawon Jang, MBR 322
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Details coming soon!
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- 5:00 pm – PLU Guitar Festival Faculty Concert, Lagerquist Concert Hall
- PLU guitar faculty members Elizabeth CD Brown and Dr. Stephen Howland perform alongside guests Leon Christian and Nawon Jang. This performance is free and open the public, both in-person and via livestream.
Enjoy listening to a video of the 2022 PLU Guitar Festival orchestra!
Guest Faculty:
Leon Christian is a highly skilled and dynamic guitarist, known for his ability to master a wide variety of musical styles. Hailed as “an excellent guitarist” by David Brandon and “very talented” by John Sutherland, Leon’s performances showcase his impressive range, from classical guitar to modern progressive rock. He has graced the stage with Northwest orchestras, including the Federal Way Symphony and Tacoma Community College Chamber Orchestra, where he was featured as a soloist in works like Joaquín Rodrigo’s Concierto de Aranjuez and Fantasía para un gentilhombre. Leon’s engaging live performances have earned him spots at renowned venues such as Benaroya Hall and the historic Sorrento Hotel, and he continues to perform regularly in a variety of musical genres. As a lead songwriter and guitarist, he has been involved in several projects, including all original rock bands, bringing his musical vision to audiences across the region.
In the studio, Leon has worked with a variety of artists and projects in many different styles, including his role as a session guitarist for Elizabeth Naccarato’s album A Southwest Story. His studio credits extend to major recording locations such as London Bridge Studios and Mirror Sound Studio, where his work has been featured in independent films, TV commercials, and studio albums. Leon’s collaborations include performances with rock legends like Sam Andrew of Big Brother and the Holding Company and Jerry Miller of Moby Grape. As an accomplished producer, Leon also creates original music for media placement. His musical journey began at age four with classical piano, and by age twelve, he transitioned to guitar and went on to study at the University of Puget Sound, under the tutelage of Douglas Rice Jr. He continued his guitar studies under internationally recognized guitarists including David Russell, William Kanengiser, and Christopher Parkening. He is the Director of the Federal Way School of Music, where he has taught for over 10 years, and is committed to fostering music education through masterclasses, outreach programs, and his ongoing work with young musicians in the Seattle-Tacoma area.“
Born in South Korea and raised in America, Nawon continues the musical journey, which started from age 10, playing the violin. At age 12, Nawon was fascinated by the guitar and started to study jazz guitar with a local jazz guitarist in New Jersey for a few years in high school. It was clear for Nawon that he wanted to pursue music so he went to Berklee College of Music with jazz guitar performance then finished with a degree in Film Scoring. During Berklee years, Nawon was able to play guitar in various jazz bands and studied guitar with Jon Wheatley. With the major change from jazz performance to film scoring, he had an opportunity to play the violin in the Berklee Contemporary Symphonic Orchestra with featuring world renowned artists such as Danilo Perez, John Patitucci, and Joe Lovano.
After graduating from Berklee College of Music, Nawon had freelance film/media composing gigs and continued serving the church with worship music. During the pandemic years, Nawon and his family moved to South Korea and lived there for a year, focusing primarily on freelance composing. In 2021, Nawon accepted the offer to be Associate Director of Worship and Arts at the University Presbyterian church. Now, his family has been in Seattle for a full 3 years.
Nawon is passionate in gathering local musicians to serve at the church and to bring hope through music. Recently, in 2024, he was selected and invited to an exclusive songwriting retreat at the Tommy Walker Ministry, in Irvine, CA. There, Nawon was able to work with the TWM team and perform his new song, “Our God, Our Home.” Nawon is a worshipper at heart, and he enjoys leading worship, hearing people singing wholeheartedly to God. He is excited to find more opportunities within the large music communities in the greater Seattle area.
PLU Faculty Artists & Festival Directors:
A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer throughout the Pacific Northwest, giving an average of 50 concerts a year. Highlights from recent seasons included solo lute and baroque guitar recitals at Early Music Festivals in Berkeley and Cleveland, performing as the soloist in Vivaldi’s “Concerto in D,” and a 10 performance run of Monteverdi’s Ulysses in Seattle and San Francisco. Elizabeth’s first solo recording, La Folia de España: Dances for Guitar, features works for baroque, 19th century, and modern guitars. Also active as an ensemble musician, she is a member of Baroque Northwest, La Lira, the Puget Sound Consort and Ayres and Graces, and has appeared in the Early Music Guild’s three baroque opera productions and with various other ensembles. An enthusiastic advocate for the guitar and lute, Elizabeth has given numerous outreach performances at schools, senior centers, and community centers for the Seattle Classic Guitar Society and the Early Music Guild, as well as by arrangement while on tour. She is head of the Guitar and Lute program at Pacific Lutheran University, and has taught at Seattle Pacific University and the Accademia d’Amore (baroque opera workshop, Seattle). See her on YouTube at www.youtube.com/user/ElizabethCDBrown or for more information visit: www.elizabethcdbrown.com
Dr. Stephen Howland joined the PLU faculty in 2008, starting the festival with Elizabeth Brown in 2011. At PLU he has taught jazz and classical guitar, ear training, and jazz history. In 2017 Howland began arranging music for large guitar ensembles and directing the Festival Orchestra in a jazz piece to promote jazz education and appreciation. Howland currently teaches privately online and at Seattle’s Rosewood Guitar. He gives clinics at universities, colleges, guitar society events, and private venues. Clinic topics have included “Improvising & Borrowing From Bach,” “Integrating Jazz and Classical Guitar Studies,” modal jazz, Jobim and Gilberto, Charlie Christian, among many others. He has highly awarded classical guitar performance degrees from UI and ASU. Since 2009 he and Brown have played together as a duo. He has done many solo and ensemble arrangements of pieces by Albéniz, Bach, MacDowell, Mozart, Shostakovich, Tchaikovsky, and Turina. He has written, arranged, and recorded ensemble music for the Seattle Classic Guitar Society, including their 2021 and 2022 holiday collaborative videos and concerts. He has published online guitar demos for Rosewood Guitar. He has been featured on large scale CD releases as a writer and studio guitarist for artists and bands, including the rock band Motopony. Howland is also passionate about live music, playing classical, jazz, original music, dance music, and more. He has played with many outstanding jazz musicians in the area, including Clipper Anderson, Marco De Carvalho, Kyle Doran, Brad Gibson, Jared Hall, Mark Ivestor, Adam Kessler, Kate Olson, Nate Omdal, Jason Parker, Gordy Ryan, Melyssa Stone, and Cassio Vianna, among others.
For Questions:
Elizabeth C.D. Brown, Guitar Lecturer
School of Music, Theatre & Dance; Pacific Lutheran University
(253) 535-7602 e-mail: brownec@plu.edu
Abby Deskins, Coordinator of Educational Outreach Programs
College of Professional Studies; Pacific Lutheran University
(253) 535-7877 e-mail: adeskins@plu.edu
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