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educator. Mr. Howes will share improvisation methods with our students in a live, play along session and also discuss entrepreneurship. Another special session for Orchestra students will be with Drs. Kimcherie Lloyd and Marguerite Richardson, who will discuss musical career paths in academia. PLU Percussion students will have three classes this semester to work on their playing. Damien Petitjean will share what it’s like to play percussion in Paris. Micah Lewis is a percussionist in the US Navy’s

theme of innovation is significant because it involves not being complacent and accepting the status quo in the world of dance. Innovation is the belief that it has not ‘all been done before’- there is new ground to cover in the art of communicating through dance, pushing through the comfort zone to try something new,” Winchester says. Winchester’s piece Home Movies engages modes of innovative storytelling, where imagination, improvisation and memory play an active role in the creative processes of

theme of innovation is significant because it involves not being complacent and accepting the status quo in the world of dance. Innovation is the belief that it has not ‘all been done before’- there is new ground to cover in the art of communicating through dance, pushing through the comfort zone to try something new,” Winchester says. Winchester’s piece Home Movies engages modes of innovative storytelling, where imagination, improvisation and memory play an active role in the creative processes of

campus. Saxophonist Jeff Coffin is a globally recognized musician, composer, educator and author. He is a member of the Dave Matthews Band, a 3X Grammy winner, and was a 14-year member of Béla Fleck and the Flecktones. He also fronts his own band, Jeff Coffin and the Mu’tet. In addition to a long list of other accomplishments, Jeff finds time to teach saxophone and improvisation at Vanderbilt University in Nashville, TN. Thanks to a generous endowment established by PLU alumnus, Dr. Richard

Porter, Organist Widely known as a performer in the United States and in Europe, Dr. Porter has also achieved international recognition for his skill in improvisation in a wide variety of styles, ancient and modern. Read Previous Elise Rodrigues ’15 voted Eatonville School District Teacher of the Year Read Next A PLU Christmas, Winter Rose LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024

Improvisation from the University of Michigan. However, before she attended college, Kate didn’t have access to individualized jazz saxophone instruction. There were not any professional jazz musicians near her growing up, but she was still determined to succeed because she loved music.How did you develop an interest in jazz? My first jazz concert was Maynard Ferguson in Casper, WY, when I was in high school. But my first love of jazz developed because the cool kids all played saxophone in my school… and I

their vocations in the world. The vignettes that follow provide a glimpse into the spirituality of PLU students – each one’s whole, integral, embodied response to life. These spiritualities are diverse. Some are theistic, others humanistic or naturalistic. Some are rooted in historic faith heritages, others emerge more from improvisation. Some reflect a connection with recognizable faith communities. Others are more solitary. PLU students’ conversations about spirituality continue a two century

minor to focus more on technique. Courses, such as Dance and Culture, will be added along with Ballet, Modern and Hip-Hop Technique, Dance Production, Intro to Dance, Dance Composition and Improvisation. Tickets for Dance 2015 are $8 General Admission, $5 Senior Citizens and Alumni, $3 PLU Community, Students and 18 and under. Tickets are available at the Concierge Desk in the Anderson University Center, 253-535-7411 [credit/debit/cash), and can be purchased at the door before the show [cash only

study.” While the Elizabethan language requires some study and understanding, Anderson teaches students that Shakespeare is more about improvisation. “The secret to good Shakespeare is finding a sense of play between actor and audience within that structure,” Anderson explains. “One popular stereotype of Shakespearean acting often invokes a stodgy and impenetrable formality. This comes with a false label of theatre as ‘high culture.’ Shakespeare’s work was always meant for a mixed, popular audience

choreographer; original choreography is strongly encouraged when possible. Do my audition videos have to be unique just for this scholarship? No, they do not. We can accept clips from performance videos, class work, or improvisation in your dance genres. Where do I upload my video submissions? We strongly prefer videos uploaded to an outside video host, such as YouTube or Vimeo. Many services are free when you sign up with your email address. In the online application, we have an info box to paste the link