Search

minors were able to have intimate interactions with a variety of professionals nationwide.Bryce PinkhamActorCherie B. TayStage Manager and Music AssistantDana WilsonChoreographer and DancerLaura OsnesActorSantino JimenezTelevision Actor and ImprovisorThe Fall 2020 cohort of guests lecturers featured: Bryce Pinkham, actor (A Gentleman’s Guide to Love and Murder) Cherie B. Tay, Broadway stage manager and music assistant (Hadestown, Amélie) Dana Wilson, choreographer and dancer (In the Heights film, La

most critical issues we could tackle, so I had to commit myself to this work. But I also grew up in the community and high school theater scenes. Storytelling is such an important aspect of the human experience. I was encouraged to connect the two and have realized that environmentalism, activism and art have historically been interconnected. Climate change involves a lot of data. Numbers and statistics are a lot for folks to digest, but art, theater, visual and music can help get information

and language create an unbridgeable gap between the novel and the film. The most striking example of this is Anne’s account of how she has been, first, keeping track of Wentworth’s whereabouts, and second, showing off her mementoes of their earlier courtship. She shows a “playlist,” a collection of sheet music he had given her eight years ago. This wording, and the physical memento, are out of time because the term “playlist” used to refer to “a list of songs or pieces of music to be played” was

not designed for theater. To know for what the building was intended – in precise order ¬– it is instructive to know the building’s original name: The Chapel-Music-Speech Building. “If you were in the balcony, you could hear a pin drop, but you couldn’t see anything,” Clapp said. “And if you were on the main floor, you could see wonderfully, but you couldn’t hear anything. “That place was designed for music, not the spoken word.” On October 12, 2013, all that will change. On the Saturday evening

, theater, visual and music can help get information across to a much larger audience. I understand the two of you came together to put on a musical called “Normalcy: The Climate Fiction Musical,” which Kenzie wrote. What is it about? Knapp: I was initially inspired by the wildfires happening more frequently now in late summer/early fall, referred to as “fire season.” I wondered, if “fire” was an actual season like summer, what would come after that? So, the musical is set in “New Seattle” in 2040

most critical issues we could tackle, so I had to commit myself to this work. But I also grew up in the community and high school theatre scenes. Storytelling is such an important aspect of the human experience. I was encouraged to connect the two and have realized that environmentalism, activism and art have historically been interconnected. Climate change involves a lot of data. Numbers and statistics are a lot for folks to digest, but art, theater, visual and music can help get information

not designed for theater. To know for what the building was intended – in precise order ¬– it is instructive to know the building’s original name: The Chapel-Music-Speech Building. “If you were in the balcony, you could hear a pin drop, but you couldn’t see anything,” Clapp said. “And if you were on the main floor, you could see wonderfully, but you couldn’t hear anything. “That place was designed for music, not the spoken word.” On October 12, 2013, all that will change. On the Saturday evening