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modern nation. With engaging color and black-and-white illustrations from influential texts, Nathalie op de Beeck shows how these word-and-picture sequences provide deceptively simple stories within the specific historical and cultural contexts of the period between the 1910s and 1940s. Read Previous PLU professor receives Fulbright award Read Next Film Festival Series: “Most People Live in China” COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad

other creatures? Kierkegaard has a surprising answer. Kierkegaard argues that genuine communication must be expressed in one’s being rather than through one’s words. Non-human creatures are therefore communicative exemplars for Kierkegaard, since they have no choice but to be what they mean. Read Previous Film Festival Series: “Most People Live in China” Read Next PLU prof works with USA Hockey team COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad

tours of the Capitol and, in general, support their senator – and their senator’s staff – with whatever needs to be done. Being a legislative intern is not an easy job, Lynam said. There is down time, but the nature of public policy is immediate reaction. In a lot of ways, he thinks he over-extended his commitments for the semester by having the job in Olympia and being part of the crew team at PLU. He loves both, but days that start at 5 a.m. and end at 8 p.m. have worn him a bit thin. “We’re all

. Saturday, Oct. 4, at the Museum of Science and Industry in Seattle, MediaLab will premiere the documentary “Illicit Exchanges: Canada, the U.S., and Crime.” The ambitious hour-long film – MediaLab’s second in as many years – looks at how drugs and weapons affect the citizens of the two nations. “For us, this is a film about community as much as it is about the drug trade,” said Julie Olds ’09, the lead researcher on the project. “ We want to ask ‘how responsible are we?’” The project had its genesis

integral part of African American history and culture,” ASPLU president Haedon Brunelle said. “And that it’s a powerful experience for people of Christian and non-Christian faiths to engage in spiritual wellness and cultural awareness. ASPLU seeks to provide such opportunities.” Other events occurring at PLU this month include a guest-speaker appearance from Ijeoma Oluo (author of “So You Want to Talk About Race”), a Tournées Film Festival screening of the film “I am Not Your Negro” and more. “Black

macaron stands!)—is combined not with Austen’s own prose or language, but with the common cant of today. In other words, it feels destined to satisfy neither view of Austen that Dames proposes. NPR certainly takes this view: “The film tries to be of its own time and contemporary, with Austen characters talking about self-care and being ‘single and thriving.’” A complaint in reviews of Cranknell’s Persuasion is about its use of language common to today, not particular to Austen. The Los Angeles Times’s

Carrie Cracknell’s Anne Elliot is a Girl with a Rabbit Posted by: ramosam / September 5, 2022 September 5, 2022 By Adela Ramos As Katherine Voyles’ insightful essay on the discourse around Persuasion (2022) demonstrates, historical inaccuracy has been pegged as one of Carrie Cracknell’s unforgivable misdeeds, especially related to the use of contemporary language and even the protagonist’s bangs. Yet when I finally watched the film, I was pleasantly surprised to find that Cracknell draws on the

sister. While her maternal bent is clearly attractive to Knightley, he remains grounded in the threshold between paternal figure and romantic prospect. The scene solidifies how the romantic and the familial come together in his paternalistic care for Emma. Emma Woodhouse (Gwyneth Paltrow) and Mr. Knightley (Jeremy Northam) in Douglas McGrath's 1996 film. Following Mr. Knightley’s paternalistic care for Emma in these scenes reveals how the movies position him as the story’s legitimate patriarch. Both

Hall in Seattle, Davies Orchestra Hall in San Francisco, and Klassik Keyifler Festival in Turkey. Kate Drazner Hoyt, video editing, Assistant Professor of CommunicationKate Drazner Hoyt is an Assistant Professor of Communication in Film & Media. She is a media scholar and practitioner, producing both written and applied scholarship in new and emerging media and technologies. She directs PLU’s MediaLab, a pre-professional media consulting agency staffed by PLU students, serving clients throughout

illustrated how feature films, music videos, sports, video games and news organizations have narrowed the definition of what it means to be male. The images showed a dramatic increase in the size of men’s bodies, the size of weapons and the portrayal of women as objects. For example, Batman in 1966’s feature film lacks the muscle definition played up prominently in more recent film releases, like 2005’s “Batman Begins” with Christian Bale. The increased body size extends to action figures: the