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11/6/2024 - Keyboard Students Recital (pdf) view download

your chair, keyboard tray, and monitor so your posture is aligned in a 90/90/90 position. When sitting at your work station, your knees, waist, and elbows should be at 90 degrees. When viewing computer monitor(s), your eyes should be level with the top 1/3 of your screen so your head and neck is not tilted up or down. The monitor should also be located at an arms reach away so you are not having to strain your eyes. Your feet should be flat on the floor. You can improve the ergonomics of your work

Theory & Analysis II A continuation of MUSI 135. Further study of the materials and syntax of musical expression through an examination of harmonic and melodic analysis, composition, part-writing, figured bass, non-chord tones, small formal structures, secondary functions, etc. Prerequisite: MUSI 135 or consent of instructor. (3) MUSI 151 : Keyboard Musicianship I Beginning skills in piano and general musicianship in a group piano setting, including reading in treble and bass clef, building

past dean of the Tacoma Chapter of the American Guild of Organists, and is past president of the Westfield Center for Keyboard Studies. Prior to his appointment at PLU, he taught at Bethany College in Lindsborg, KS. Tegels has performed extensively in solo and ensemble concerts in the United States, Europe, Japan, and New Zealand. He has performed at National Conventions of the Organ Historical Society, and has played some of the most significant organs in the US. As a lecturer, he has presented

of the organ case. When several sets of these pipes are used together at high and low pitch levels, the organ sounds its “plenum” or principal chorus. The mixture stops—some with seven pipes sounding per key—add sparkle and brilliance to the top of the principal choruses of each “division” or section of the organ. The Flutes Sweet, warm, and round in sound, the flute pipes provide a wide array of timbre in gentler tones than the principals. Also arranged in choruses for each keyboard, flute pipes

project that resulted in “All the Marbles.” “The story wasn’t a direct correlation to my brother, but how I got to deciding to write a short about marbles,” Petersen said. “My brother was definitely the inspiration behind getting me (to sit down) with my hands on the keyboard, typing away.” Petersen wrote the first draft of the script in 2014 and collaborated with director Michael Swingler to produce the final version. The film took three years to produce. With Swingler’s input, the world surrounding