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attend (with one exception) and will be performed in Lagerquist Concert Hall: Sølvvinden Flute Ensemble, Saturday, December 4 at 1pm in person and live streamed PLU Ringers, Sunday, December 5 at 7pm in person and live streamed The PLU Ringers and guest artists present an evening of Christmas music playing for the first time on their new bells. The program includes traditional favorites, an African American spiritual, and music that traces its origins as far back as the 1500s. Chamber Music

lost language of the time around the region. In answer to the obvious question – yes it was hard to learn the song, much less a song in a language that died out about 700 years ago.  “You have to do your research,” she said.  Amilyn Hill will be singing Mozart’s “Queen of the Night,” arias from the Magic Flute, complete with costume. “I plan to make it as close to an opera performance as I can,” she said. “I’ll probably be wearing a black dress, maybe a crown.”  Around the age of 12, Hill

for seven years and began with teaching private flute lessons, she noticed a need in her community for a math tutor and decided to use her teaching experience and math skills to fill that need.  “I’m trying to address a lot of the needs that will come from distance learning. Many students really need the one on one guidance that is much easier to give while in-person teaching, especially in larger zoom calls it can be easy for kids to feel lost or unheard” Balut said. “ I’m hoping to offer

there.” Brown likes to present a wide variety of musical styles to students. PLU Opera has done early operas like Monteverdi’s L’Orfeo and Handel’s Semele, core repertoire operas like Mozart’s Magic Flute and Johann Strauss’ Die Fledermaus, and 20th century operas like Kurt Weill’s Street Scene and now A Midsummer Night’s Dream by Britten. “I love introducing new works to students and seeing the fresh ideas they bring to a centuries-old art form,” Brown says. Each year Brown looks for operas with a

Brown, Melissa Plagemann, and Janeanne Houston. In February, I’m singing a Vaughan Williams’ Five Tudor Portraits with Orchestra Seattle, and in April, I’m directing the Opera Workshop in a scenes production. Also in April, I’m directing The Merry Widow for Tacoma Opera, and in May, I’m singing the role of the Speaker in The Magic Flute with Vashon Opera. What made you choose PLU? PLU is a special place with a faculty that truly cares about students, and students who constantly impress me with their