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interdisciplinary in nature, combining new and old technologies, creative writing, carving, illustration, sculpture and textiles. Mare Blocker describes her process: “I find the papers I want to use, decide if it will be a limited edition or one of a kind piece, pick out a typeface, and/or carve blocks. Maybe it’s letterpress printed and maybe it’s printed in a more contemporary fashion; the text and content usually decide the methods the artist uses,” Blocker details. “After printing, the binding and finishing
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’ Society meets every Friday at 3pm. At each meeting, we study an ancient piece of text written in a dead language. Members often volunteer to read the text aloud in the best way that we can manage, usually with help from Professor Brown. We discuss grammatical concepts of older languages such as Old English and Old Saxon, the origins of particular modern words and where they derived from, as well as translate these texts into modern English as best as we can. Brown’s path to creating the Dead
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the panel. Some professors are also integrating the book into their curriculum. Lisa Marcus, associate professor of English, will again be teaching the book in her Writing 101 seminar on “Banned Books.” She wants students to recognize that Urrea’s book has been banned in Arizona as part of a push to suppress ethnic studies, particularly works that address Mexican-American history and experience. Marcus stresses that beyond the story and relatability of the characters, it is important to think
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. Of the 612 eligible applicants submitted, 421 were approved funding —including PLU. Learn moreTacoma/South Puget Sound MESA was established in 1984 and served an initial population of approximately twenty students. Since that time, the program has grown immensely and currently serves over 800 students. Read Previous Professor Rick Barot discusses being longlisted for the National Book Award and teaching creative writing during a pandemic Read Next PLU’s MBA program named one of the nation’s best
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career, but to study what I love,” she says. That advice led her from a PLU degree in English (with emphasis in writing) and art, to a master’s degree in art education at the University of Alabama, where her dad was a professor. She worked teaching art for a children’s museum in upstate New York, followed by a job editing, writing and doing graphic design at a small publishing company there. She was a freelance editor and designer, but found her niche in public education, working in communications
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of her PLU experience. Not part of a traditional degree program, Flenniken was a member of the first full graduating class of the Rainier Writing Workshop at PLU, receiving a Master of Fine Arts in Creative Writing in 2007. Trained as an engineer with degrees from Washington State University and University of Washington, it was a night class designed to merely get her out of the house that got Flenniken really interested in poetry. “I fell madly in love with poetry from the first night of that
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writing content for the nonprofit’s website. Her beat was technological solutions and global education. She wrote pieces about artificial intelligence as a solution to poverty, and the education of refugees to name a few. This sort of research-based, nonfiction writing is Hurtt’s comfort zone. In her junior year she switched majors from biology to English literature, making one of the biggest jumps between academic disciplines. But her experience in analytical writing was one of the reasons she
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. Whiteboards, art supplies, prototyping materials and communal equipment are available for use, providing an opportunity for creative growth outside a traditional classroom setting. The real-world skills students pursuing the minor gain include cross-discipline teamwork, problem-solving, hands-on learning, maximizing strengths and limiting weaknesses. “We think it’s really important for students to use their hands, to work in teams in which they build things,” Halvorson said. “We don’t just talk about
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education and started looking for jobs. Those real-world skills include cross-discipline teamwork, problem-solving, hands-on learning, maximizing strengths and limiting weaknesses. A signature feature of the new minor is the Makerspace, a dedicated area in Hinderlie Hall that allows people to gather, collaborate and stretch their creativity. Whiteboards, art supplies, prototyping materials and communal equipment are available for use, providing an opportunity for creative growth outside a traditional
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November 11, 2009 Poetry helps explain a complex world Rick Barot wasn’t looking for how to address worldly issues when he began writing poetry. “I think, like a lot of poets, I started in poetry having very self-serving reasons,” the PLU professor said. In college, it was therapeutic and very much an emotional release. But as he learned the craft and honed his own skills, the complexity of it and how poetry can be used in addressing ethical, even moral values became clear. “These days, I think
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