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directed 83 productions, 60 of which have been at PLU. Auditions were held March 29 and 30, and rehearsals began the following weekend. Preparations for the entirely student-run production are in full-swing, and rehearsals are every Sunday-Thursday 6:30-10:30 p.m. The cast is 24 members strong and there are roughly 18 musical numbers performed and choreographed by students. “The music is really fun,” Clapp said. “There’s some really wonderful, poignant numbers.” Clapp said the music is modern and
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dance program into the best it can be,” Brown explained. “I know that with the help of everyone involved, we can make it happen.” Brown will be teaching all dance related courses for the upcoming terms. In the fall, she will teach Introduction to Dance, Jazz 1, Modern 1, and Ballet 1. She will also serve as the Director of the Spring Dance concert, “Dance Continuum,” where students can perform in faculty, guest, and student choreography.Faculty Fun Facts I like to karaoke (“Build Me Up Buttercup
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in England, Germany, Greece, Mexico, and Peru. The experiences were fruitful for both students and professors, in spite of challenges presented by the pandemic. “Study away is one of the big reasons why I chose PLU,” says Anna Van Vleet, theater major. She visited Greece this J-term as a part of professor Antonios Finitsis’ Religions of the Ancient Mediterranean course. She chose to visit Greece because of its rich theater history. “Before I left, there were a lot of things I was worried about
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, practice, he said. Quoting from Malcolm Gladwell’s book “The Outliers,” Anderson said that very successful people don’t simply pop out of the box that way. But rather, they usually encounter a unique opportunity and work very hard at their craft. Before Bill Gates Jr. became a billionaire, he snuck out of his room to work at computers at his high school. The Beatles first booked gigs in dingy small clubs in Germany, for up to 12 hours a day, seven days a week. He encouraged the students to find a topic
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program took PLU students all over the world, with courses designed and taught by PLU professors offered in England, Germany, Greece, Mexico, and Peru. The experiences were fruitful for both students and professors, in spite of challenges presented by the pandemic. “Study away is one of the big reasons why I chose PLU,” says Anna Van Vleet, theater major. She visited Greece this J-term as a part of professor Antonios Finitsis’ Religions of the Ancient Mediterranean course. She chose to visit Greece
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innovation management, entrepreneurship and closely held enterprises, and supply chain management. It also features a 10-day international experience at no extra cost. Recent destinations include France, Spain, China, Dubai, Taiwan, Germany, Switzerland, Ireland and Peru. Students describe the experience as “amazing” and cite it as a major asset to the program. “Our MBA program is very unique due to our focus on global education,” said Mulder. “From courses to the incredible MBA International Experience
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minor to focus more on technique. Courses, such as Dance and Culture, will be added along with Ballet, Modern and Hip-Hop Technique, Dance Production, Intro to Dance, Dance Composition and Improvisation. Tickets for Dance 2015 are $8 General Admission, $5 Senior Citizens and Alumni, $3 PLU Community, Students and 18 and under. Tickets are available at the Concierge Desk in the Anderson University Center, 253-535-7411 [credit/debit/cash), and can be purchased at the door before the show [cash only
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, they must keep their new and budding romance a secret. In this reimagining of Shakespeare’s most well-known work, the conventions of time and sequence have been manipulated to reposition the original plotlines and dialogue in order to highlight new connections and themes for a modern audience. Read Previous Musical genius hits PLU Theatre in Amadeus Read Next Children’s theatre continues its revival at PLU LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023
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melodramas, silent films, radio plays, graphic novels and, most notably, this musical. “Sweeney Todd holds a place in the canon of important modern musicals due largely to its distinct characters, theatrical style, and almost shameless embracing of obsessive love and revenge. Yet, to me, what feels current about the piece is its sense of railing against injustices inflicted by those who have privilege. In a very tangible way, Sweeney’s anger is not only directed against the man who wronged him, but on
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and moments of baroque and florid music. Britten pays attention to the Shakespearean play’s central theme: the madness of love. The plot follows that of the play, though Britten cut much of Act I and re-ordered scenes. Music tends to lengthen the duration of text, but anyone who knows the play will recognize the story. Jim Brown, vocal chair and director of A Midsummer Night’s Dream, is updating the opera to modern day Central Park in New York City- for a sort of “Shakespeare in the Park
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