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environment of academic integrity and intellectual freedom. Wendy Call Wendy Call earned her Fulbright Core Scholar opportunity in Colombia, translating the poetry of indigenous women writers in order to share and preserve them. “What I’m most hoping to get out of it is really expanding my understanding of indigenous literature in Latin America and particularly indigenous poetry,” Call said. “Since I’ve for quite a number of years been translating Mexican poets who work in an indigenous language and then
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10th Anniversary CelebrationDr. Paul ManfrediDr. Geoff FoyMichele Anciaux AokiDr. Thad WilliamsLi Bin 李斌Weiwei PengBridget YadenTamara WilliamsJoanna GregsonCarla SantornoAllan BeltonProfessor Yao LeyeProfessor Gao Wei 高伟Dr. Deng BoProfessor Dongmei HuangDr. Paul ManfrediPaul Manfredi’s research concerns modern and contemporary Chinese poetry and art, modernism, and urban culture in China. His articles have appeared in Modern Chinese Literature and Culture, Journal of Modern Literature in
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their own lives. This behavior is also true of adult readers: Some want spy thrillers, some want romance, some want cozy mysteries, some want lyric poetry. When it comes to reading, there’s a place at the table for everyone. I find that to be a very democratic and comforting way of looking at books. In terms of content and theme in YA literature, we must remember that there are a lot of kids who are living lives that aren’t rated PG. There are a lot of kids who are living lives that are generally
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'Haymakers' and 'City Artisans': The Chartist Poetics of Eliza Cook’s Songs of Labor." Victorian Poetry Vol. 39.2, 2001: "'Amazed at Our Success': The Langham Place Editors and the Emergence of a Feminist Critical Tradition." Victorian Periodicals Review Vol. 29.2, 1996: "Editing Belgravia: M.E. Braddon’s Defense of 'Light Literature'." Victorian Periodicals Review Vol. 28.2, 1995: Accolades Regency Advancement Award, 2006 Wang Center International Travel Grant, 2004 American Council of Learned Societies
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, 2005: "Of 'Haymakers' and 'City Artisans': The Chartist Poetics of Eliza Cook’s Songs of Labor." Victorian Poetry Vol. 39.2, 2001: "Amazed at Our Success': The Langham Place Editors and the Emergence of a Feminist Critical Tradition." Victorian Periodicals Review Vol. 29.2, 1996: "Editing Belgravia: M.E. Braddon’s Defense of 'Light Literature." Victorian Periodicals Review Vol. 28.2, 1995: Accolades Regency Advancement Award, 2006 Wang Center International Travel Grant, 2004 American Council of
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'Haymakers' and 'City Artisans': The Chartist Poetics of Eliza Cook’s Songs of Labor." Victorian Poetry Vol. 39.2, 2001: "'Amazed at Our Success': The Langham Place Editors and the Emergence of a Feminist Critical Tradition." Victorian Periodicals Review Vol. 29.2, 1996: "Editing Belgravia: M.E. Braddon’s Defense of 'Light Literature'." Victorian Periodicals Review Vol. 28.2, 1995: Accolades Regency Advancement Award, 2006 Wang Center International Travel Grant, 2004 American Council of Learned Societies
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Post-MFA MentorshipsThe Rainier Writing Workshop has now produced a critical mass of graduates, many of whom have published books of poetry, nonfiction, and fiction. These books were often the creative theses that the graduates completed in their final year in the program. For others, the creative thesis is a foundational iteration of work that will be developed into publication-worthy manuscripts. The Rainier Writing Workshop is committed to helping its alumni with their writing and
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in poetry, fiction, and nonfiction. Classes are also offered on issues of pedagogy, and how to build and maintain a writing practice and community beyond the MFA. Each participant is free to create their own menu of classes during the residency, regardless of the participant’s primary genre. A participant who is primarily a poet, for example, may opt to take classes in nonfiction, while a participant involved with writing a memoir project may choose to take classes in fiction. During the
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. Ditty for Jonathan. Music currently self-published, PDF copies are available by contacting Gina Gillie. Duration: 13 minutes. To the Seasons (2012) for soprano, horn and piano. Four-movement work using poetry of William Blake: I. To Summer, II. To Autumn, III. To Winter, IV. To Spring. Published by RM Williams Publishing. Duration: 20 minutes. The Great Migration (2013) for two horns and piano. Programmatic duet that describes the migratory cycle of wildebeests through Tanzania and Kenya. Published
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their ability to respond to the crisis effectively. Several students wondered why the Chinese commissioner in charge of dealing with the opium crisis seemed to spend more time writing poetry than communicating with the emperor. In the end, a panel of student judges made up from visiting Chinese champs and PLU students handed the victory to the team that argued that China was responsible for the war. After the debate, which was initiated and sponsored by PLU’s China Studies Program, the students
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