Page 163 • (2,467 results in 0.031 seconds)

  • artifact that was brought in and recorded notes in their notebooks. The class is looking into the history of the artifacts that were brought in and will be helping the owners figure out what exactly they have. One person brought in a weight that was used to hold down fishing nets. The hole in the middle was carved out using only rocks. Another person brought in something that looked like it may have been a compass. The writing on it looked Chinese and looked like it may have been used at sea. Other

  • Mercury Excellence Awards for her branding and designs for MediaLab’s 2014 documentary, Waste Not: Breaking Down the Food Equation.Cox, a senior Graphic Design major with an Art History and Publishing and Printing Arts minor, has been a graphic designer for MediaLab since 2012. The award makes Cox’s branding for the documentary Waste Not second worldwide in the “Campaigns-Nonprofit/Public Affairs” category. The film, which premiered in Fall 2014, explores global food waste. “I worked on the graphics

  • erosion as well as supporting MediaLab in future endeavors.” The film premiered on April 27, 2019 at the Washington State History Museum and has received the Accolade Global Film Competition Award of Recognition for Student Documentary Short. The film was also featured in the National Film Festival for Talented Youth and Friday Harbor Film Festival in October 2019. ​ Living on the Edge ​is available to stream online via Vimeo.MediaLab MediaLab seeks to create high–quality content and services for

  • -time nurse or K-12 educator.“Our nursing and education programs are deeply rooted in PLU’s history,” said PLU President Allan Belton. “For more than a hundred years, we have been training and preparing thoughtful and highly skilled nurses and educators to serve their communities. To show our thanks, we pledge to do everything in our power to make higher education possible for the dependents of teachers and nurses.”With this promise, PLU will cover at least half of the student’s tuition —$23,408 for

  • on the self alone.  PLU calls upon our students and alumni to live in community and to engage this world—a world too marked by ignorance, need, and injustice—to serve the shared good with their distinctive gifts and skills. Whether it is this last week, the last four years, or the last 400 years, the countless violent and unjust events throughout every year of our nation’s history make it clear—we need more thoughtful inquiry, more thoughtful service, more thoughtful leadership, and more

  • . Her poetic writing focuses on themes of Black empowerment, resilience, history, and joy. Charles’ accolades include being spotlighted in the New York Times Book Review, a Buzzfeed Top 40 pick, an Amazon Editor’s Choice, and a feature on CBS Mornings.“I want to express who we are as people – our complexities and our greatness by telling stories and writing poetry that reflect not just our pain but our joy and everything in between,” Charles said in a 2021 Interview with Essence Magazine. “We are

  • the Centre for Development and Environment at the University of Oslo. His participation in the symposium is presented in cooperation with and through the generous sponsorship of the Thor Heyerdahl Institute of Larvik, Norway. Tvedt is widely known in Norway for his television series A journey in the History of Water and A Journey in the Future of Water, which were also shown in the U.S. on National Geographic and the Discovery Channel. His work emphasizes the importance of raising people’s

  • , was held at PLU’s Mortvedt Library from November 29, 2012 to February 27, 2013. The exhibit featured broadsides, artist’s books, and printing ephemera, all created by students and instructors at the Press. If you are interested in the a history of the early years of the Elliott Press, as well as other small regional presses, you may wish to read A Decade of Fine Printing in the Pacific Northwest(1992).The Thorniley CollectionThe Thorniley Collection of Antique Type, graciously donated to the

  • ranging from freedom and stability, to the struggles facing democracy and globalization. Accompanying the exhibition is a scholarly volume with essays by leading authorities on the history and importance of the Norwegian Constitution. The exhibition and the publication were curated by Trond B. Olsen of ArtPro, Norway, and the U.S. tour is supported by the Royal Norwegian Consulate. The exhibition has been on display in Norway all summer, where it was seen by thousands of visitors. The title of the

  • history of colonialism, I had to analyze the impact of presence and the space I was taking up. My time in Trinidad helped force me to think deeply about racism and the lasting impacts of colonialism, and how they functions around the world and in America. I left Trinidad with renewed dedication to dismantling the oppressive systems I interact with and benefit from everyday. While I should not have had to leave my country to realize the impacts of racism, being in Trinidad forced me to remove the