Search

comforting place that makes it easy to stick around, he said. “It’s a place that grows on you. It might sound cliche, but it’s like one big family.”That family mentality trickles down to the basketball team in transparent ways. Basketball players talk about their coach like he’s a father figure. “He’s been supportive of me both on and off the court,” said junior Dylan Foreman, who says Dickerson helped him build confidence. “He’s really kind of helped shape my life,” said sophomore Zac Webb. And senior

, she told her mom: “I’m going to be a neurosurgeon!” In the following years, her decision was cemented by books she read in middle school classrooms, biology classes she took in high school, and eventually, the teachers and mentors she met at Pacific Lutheran University. Now, the Bonney Lake, Washington native has graduated and earned a prestigious Fulbright research grant — a national award that only 20 percent of applicants receive after a rigorous, year-long application process. In January, she

PLU professors and students dive deep into the psychology of the pandemic Posted by: Zach Powers / April 26, 2021 Image: PLU psychology major Ricky Haneda and department chair Jon Grahe (photos by Silong Chhun/PLU) April 26, 2021 By Lisa Patterson '98PLU Marketing and Communications Guest WriterAs the world was beginning to realize the enormity of COVID-19, two Pacific Lutheran University professors seized the 2020 moment to do significant research into the psychology of the pandemic.PLU

them in a different, new direction: sound design. Hanne was in charge of designing the foley work and soundtrack for the production. The most interesting part of the process for them was researching and experimenting with different foley sounds. In typical filmmaking, foley is the reproduction of everyday sounds that are layered on top of the visuals, as not every sound can be recorded straight from the source. Many hours of work went into determining the methods and tools to perfectly reproduce

them in a different, new direction: sound design. Hanne was in charge of designing the foley work and soundtrack for the production. The most interesting part of the process for them was researching and experimenting with different foley sounds. In typical filmmaking, foley is the reproduction of everyday sounds that are layered on top of the visuals, as not every sound can be recorded straight from the source. Many hours of work went into determining the methods and tools to perfectly reproduce