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Untitled, Model in the Studio, painting various drawings and paintings can be seen around the model. Besides these works being used to create the overall composition, these drawings and paintings are done to isolate and work out parts of the painting that may prove difficult when tackling the whole. A portrait study on pink paper is seen on the table and a portrait painting is seen over her left shoulder. Drawings working on the whole composition can be seen on the floor and over the models right
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in the most fundamental ways (passion, commitment, talent) they remain the best indicator of PLU’s uniqueness. Just as the student body renews itself with each new class, so too does the faculty, but on a slower time schedule. The decade past has also been marked by a sea change in the makeup of that faculty. Colleagues of my generation at PLU (we came in the ’70s and stayed) have retired after long and satisfying careers, and a whole new cohort of committed PLU faculty are beginning their
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Previous Organist off the Grid Read Next New piano chair looks forward to a new chapter at PLU LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle
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free (an offering will be taken to help defray tour costs) and open to the public. Read Previous Pursuing the Dream Read Next Student Sings way to Seattle Opera LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan
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Associate of the American Guild of Organists. Read Previous Q&A: Meet John Paul, PLU’s new Department of Music Chair Read Next Regency Voices features two compositional perspectives of ‘The Prodigal Son’ LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to
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the blog! Read Previous PLU Chorale tours the southeast, uses music to make the world a better place Read Next A Christmas Invitation – Photo Recap LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28
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POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022
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larger audience in our country and the world.” Read Previous Alice Giles ‘cool’ World Harp Tour stops in Tacoma Read Next Student Composition Wins Statewide Competition LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey
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case the story of Martin Luther and his journey from young law student to monk, to pilgrim, to theology professor, to critic of the Roman Church, to heretic and fugitive, and finally to founder of the Lutheran Reformation, which we celebrate around the world this year on its 500th anniversary,” Kracht says. “The music is descriptive of that narrative, using both music from Luther’s own time as well as music of my own composition, in a blend that ranges from Renaissance sounds to modern.” The piece
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captured his imagination and took him to a land, far, far away. “I was always drawing stop-motion movies and little drawings and cartoons in the sides of my textbooks and stuff like that,” he said. “And I was always borrowing my Dad’s video camera.” In high school, Perry took every art class he could find. And when he ran out of art classes, he started crafting coursework through independent study. He did the same thing at Pierce College, and then transferred to PLU. It was here his future career got
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