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pieces of the writing of American choral composers at the time. Both feature virtuosic parts for trumpet and piano. Two works by Felix Mendelssohn, Richte mich, Gott, Op. 78, No. 2, and Mitten wir im Leben sind, Op. 23, No. 3, present profound statements of faith in glorious music. Guest artists and PLU faculty members Oksana Ezhokina (piano) and Zachary Lyman (trumpet) will travel with the Chorale. “In addition to being a superb pianist, Oksana is a wonderful collaborator: it often feels like we’re

remember fondly her stellar performance of Prokofiev’s wickedly difficult Sonata for Flute and Piano in her senior recital.” So while Rottle’s PLU plan might have been a little up in the air, one thing was certain: After earning a bachelor’s degree in Music, there was no question she was a musician. And she wanted even more. “Being a student, you need to get the credentials and skills,” Rottle said. “Especially being a performer, it is less about the academic side of it; it is more about the training

Regency Voices features two compositional perspectives of ‘The Prodigal Son’ Posted by: Mandi LeCompte / March 3, 2015 March 3, 2015 On Friday, March 6, PLU’s Regency Voices ensemble presents two musical realizations from Debussy and Sullivan of the iconic story of the Prodigal Son as part of the 2015 SOAC Focus series on perspective. The concert in Lagerquist Concert Hall, features Janeanne Houston, soprano, James Brown, tenor, Charles Robert Stephens, baritone, Sheila Bristow, piano, Paul