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Piano and Organ Info Sheet (pdf) view download
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a broad range of repertory through attendance at live performances and relevant music events. Graded Pass/Fail. (0) MUSI 201 : Private Instruction: Jazz - CX Prerequisite: Two semesters of non-jazz study (MUSI 202-219) or permission of the director of jazz studies. Special fee in addition to tuition. Concurrent registration in MUSI 199 required. Students register in 201A for 1 hour; 201B for 2 hours; 201C for 3 or 4 hours. (1 to 4) MUSI 202 : Private Instruction: Piano - CX Private instruction
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separate audition for each instrument (or voice). Special Note For Jazz Guitarists, Pianists, Bassists, and Drum Set Players: For you audition medium, you can specify “Jazz Rhythm,” an instrumental category that we use for electric guitar, electric bass, jazz piano, and drum set. Your audition will be evaluated on the basis of your talent and usefulness in the jazz area. For details on what to prepare for this type of scholarship audition, see “How should I prepare a jazz piece for a scholarship
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howls. (The music is hauntingly original and, trust us, made to be heard rather than read: Listen here.) Manhattan, in fact, turned out to be quite the meaningful stop for Rottle: She also met the man who would become her fiancé, a jazz musician originally from Australia who was pursing his doctorate at the School of Music. After moving to his home continent, Rottle continued networking and ended up filling in as the flutist for Kupka’s Piano, a contemporary music ensemble. She’s also involved in a
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and re-explain the teacher’s directions,” he recalls. He learned to play the organ himself, as well as the piano, then earned bachelor’s, master’s, and doctorate degrees in music. He is now an assistant professor of music and the director of jazz studies at PLU, and his role as an educator stretches far beyond the correcting and re-explaining of his early days. Vianna aims to teach his students about balance, especially when it comes to innovation in jazz music. “Improvisation, creativity, and
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Cassio Vianna Assistant Professor of Music; Director of Jazz Studies he/his Phone: 253-535-7760 Email: cassio.vianna@plu.edu Office Location:Mary Baker Russell Music Center - Room 112 Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education D.A., Jazz Studies, University of Northern Colorado, 2017 M.M., Western Oregon University, 2011 B.M., Universidade Federal do Estado do Rio de Janeiro, 2003 Areas of Emphasis or Expertise Jazz Composition and Arranging Jazz Piano
Office HoursMon - Fri: -Area of Emphasis/Expertise -
Cassio Vianna Assistant Professor of Music; Director of Jazz Studies he/his Phone: 253-535-7760 Email: cassio.vianna@plu.edu Office Location:Mary Baker Russell Music Center - Room 112 Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education D.A., Jazz Studies, University of Northern Colorado, 2017 M.M., Western Oregon University, 2011 B.M., Universidade Federal do Estado do Rio de Janeiro, 2003 Areas of Emphasis or Expertise Jazz Composition and Arranging Jazz Piano
Office HoursMon - Fri: -Area of Emphasis/Expertise -
music conservatoires and colleges. Since 2017, Mr. Myer has released four recordings on the Steinway & Sons label. Fall piano students will participate in a digital masterclass with Mr. Myer. www.spencermyer.com Patty DarlingComposer, arranger, educator, band and director Patty Darling does it all. Ms. Darling has composed music for a wide variety of mediums, including works for orchestra, wind ensemble, chamber groups, jazz ensembles, and numerous instrumental soloists. She directs the Lawrence
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from early swing to jazz/rock.Learn More Jazz CombosThis class is an organized jazz combo rehearsal and forum and also serves as an advanced improvisation class. The PLU jazz combos have performed at numerous jazz venues and jazz festivals. Learn More Instrumental AreasThese groups prepare and present chamber music from the last three centuries.StringsBrassWoodwindEarly MusicGuitar Piano Percussion HarpHornTrumpetFlute Bassoon Saxophone
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pieces of the writing of American choral composers at the time. Both feature virtuosic parts for trumpet and piano. Two works by Felix Mendelssohn, Richte mich, Gott, Op. 78, No. 2, and Mitten wir im Leben sind, Op. 23, No. 3, present profound statements of faith in glorious music. Guest artists and PLU faculty members Oksana Ezhokina (piano) and Zachary Lyman (trumpet) will travel with the Chorale. “In addition to being a superb pianist, Oksana is a wonderful collaborator: it often feels like we’re
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