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Home, Stay Healthy.” The show is centered on a topic from a book or other children’s literature that connects with each week’s channel theme. Warm Line, hosted by PLU Pastor Jen Rude, centers the spiritual well-being of our PLU community through topics of faith and spiritual community, interpretations of and opportunities for service, and so for. Diversity Deep Dive, hosted by Associate Vice President for Diversity Justice, and Sustainability Angie Hambrick and Dean of Inclusive Excellence Jennifer
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person get under my skin? Why do I not like her? Why do I not like him? The reason is because I do like them so very much, but I do not have the tools to tell her/him. That coupled with the idealized love of literature makes for some good conflict.” The story line is classic and simple. Clapp intends to let the story evolve naturally and unfold as it has so many times before. “It is sentimental, funny and at times a bit cheese ball. For me, that is enough,” Clapp describes. The multiple locations
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think the value of literature and writing is even more paramount as we move forward, because it’s acting as kind of a resistance to forces in our culture that want to reduce or simplify experience,” Barot said. “What literature does is restore complexity to the things that people feel and do and think, and celebrate complex emotional, social, intellectual experiences.” As for the future of the Rainier Writing Workshop, Barot looks backward and forward, always with the founders’ vision—and
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year really motivated both students and faculty, and we were able to bring that motivation into the classroom through applied projects. Faculty were able to bring these issues into discussions of literature, history, philosophy, ethics, and environmental equity. How have faculty, staff and students responded to that challenge? I’m continually amazed at how my colleagues pivoted so quickly to online classrooms, how they spent the entire summer learning very different kinds of pedagogies and
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one could be more qualified.” When speaking directly with Megan, she offered the following, “I will be playing movements from Molique’s Concerto in D minor, who was only 21 when he wrote this piece. The concerto was written for flutist Theobald Böhm who is credited with inventing the modern flute and was premiered in 1823. Molique published two versions of this piece. The second version, which I will be performing, has a completely different Andante (second) movement which was not premiered until
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throughout the Powell-Heller Holocaust Education Conference this week. “There were Holocaust survivors who talked, and those who didn’t,” said Sauvage, who will talk about his film and the Huguenot community that saved his family and thousands of others. Sauvage’s parents were definitely of the second category, but once he knew his story, Sauvage, who switched from a journalism career to filmmaking in France, pursued his passion of finding the unknown stories of the Holocaust. “I knew I was born in Le
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as an advisor. She wrote her first Fulbright application, which led her to Makerere University in Kampala, Uganda, while working as an academic consultant at the United Nations in Nairobi, and her second Fulbright was in Baku, Azerbaijan, during her second PLU sabbatical. She taught journalism both times. “It’s made me realize that I am really a risk-taker … I’d be willing to go anywhere at any time at the drop of a hat,” Joanne said. “And I thought that that would sort of age out of me—it really
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second-place winners of each regional competition will receive a $15,000 and $10,000 award in the form of “the stagiaire (internship) of a lifetime” at some of the nation’s most well-respected restaurants.None of that is lost on Sipe. “This is really an amazing opportunity to be given the chance to compete with chefs at this caliber,” he said. Sipe will compete against three sous chefs and line cooks from California, Louisiana and Utah. And he’ll have Lute help, too, in Amanda Schmidt, a recent PLU
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Program. “When I finished my thesis, Joanne said, ‘Hey, I think we have enough to write a book,’ and I said, ‘Oh, OK. Why not?’” Henrichsen laughed. From there, they began working on a proposal that was picked up by the second publisher they pitched; the book, War on Words: Who Should Protect Journalists?, was published in 2011. Now Henrichsen is a technology fellow at a nonprofit in Washington, D.C., that provides support for journalists. She focuses on how technology affects communication and
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fellowship is open to U.S. citizens who plan full-time, uninterrupted study toward a doctoral degree at an accredited U.S. university; senior undergraduates and first- and second-year graduate students may apply. Benefits include a $38,000 yearly stipend, payment of full tuition and required fees, yearly program review participation, an annual professional development allowance, and a 12-week DOE laboratory research practicum experience. You’ll find application details and a downloadable poster here, and
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