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that focuses on literature from non-Euro-American societies. Because course topics may vary considerably, course may be repeated for credit with approval of department chair. (4) ENGL 217 : Topics in Literature - IT, GE A variable-content course that focuses on literature that fosters an awareness and understanding of diversity in the United States. Courses may be repeated for credit with approval of department chair. (4) ENGL 221 : Research and Writing Strategies for writing academic research

, and Nancy Powell, Powell Family Foundation.9:00-10:00am: “Holocaust Distortion and Denial``Dr. Yehuda Bauer, Professor of Holocaust Studies at the Avraham Harman Institute of Contemporary Jewry at the Hebrew University, Jerusalem Introduction by Dr. Christopher R. Browning, Frank Porter Graham Professor Emeritus of History at the University of North Carolina-Chapel Hill, NC10:00-10:30am: Commentary and Q&AHosted by Dr. Christopher R. Browning, Frank Porter Graham Professor Emeritus of History at

the Washington Soldiers Home & Colony (and maintained the website SoldiersHomeStories.com) since 2009. Previous Post Presentation Inspired by PBS Next Post Geosciences students take the classroom to the outdoors More Story Presentation Inspired by PBS A Personal Presentation Inspired by PBS—and a Family’s Narrative mily Davidson, Assistant Professor of Hispanic... January 15, 2015 Volume 2, Issue 2 RESOLUTE is Pacific Lutheran University's flagship magazine, published three times a year. EDITORIAL

co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

ensemble. Past tours have included Scandinavia, China, Australia, Spain, and Portugal, with performances at venues such as The Aula at the University of Oslo, Tivoli Gardens in Copenhagen, music conservatories in Beijing, Xi’an, and Shanghai, the Great Wall of China, Dizzy’s Jazz Club in Melbourne, Australia, and the Sydney Conservatory of Music. The ensemble repertoire includes traditional jazz big band works from all eras of the music, as well as new compositions and arrangements by contemporary

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