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the camp. They played on decrepit instruments to an audience of fellow prisoners and guards.   PLU Music faculty – Cameron Bennett, piano, Svend Ronning, violin, Craig Rine, clarinet, and Richard Treat, cello – will perform the entire monumental work and Bennett will offer some opening comments. This event is the second event in the 2013 School of Arts + Communication (SOAC) annual Focus Series, under this year’s theme: “Empowerment” and is held in conjunction with the Powell-Heller Holocaust

into account for your scholarship application. Keep in mind these important considerations: Music scholarships are awarded in a single specific area (e.g., voice, or cello). Submitting audition recordings in multiple areas will not increase the amount of your award. All music scholarships require successful participation—each semester—in private lessons and, by audition and placement, in a scholarship ensemble in the area of your award. You may certainly take lessons in a secondary area, or

cello on stage. Another champion of Lizard Boy was the Seattle Rep’s late Director of Education Andrea Allen. She, along with Manning, edited Huertas’ diary entries and helped him craft them into what became Lizard Boy. These two champions of Huertas — and Lizard Boy — weren’t around to see the show when it opened in a real Seattle Rep season. “[Manning] and [Allen] both helped me out a lot and we lost them along the way, so it was sort of like this moment of full-circle at opening night,” Huertas

connections made at PLU to cast his show. His former classmate, Kirsten deLohr Helland ’09, is starring alongside him in Lizard Boy.  Lizard Boy opened Wednesday, April 1, in what Huertas characterized as a full-circle moment. Huertas wrote the show after being encouraged by the Seattle Rep’s late Artistic Director Jerry Manning in January 2012 to keep a journal and start writing a play in which he would play the cello on stage. Another champion of Lizard Boy was the Seattle Rep’s late Director of

Boy.  Lizard Boy opened Wednesday, April 1, in what Huertas characterized as a full-circle moment. Huertas wrote the show after being encouraged by the Seattle Rep’s late Artistic Director Jerry Manning in January 2012 to keep a journal and start writing a play in which he would play the cello on stage. Another champion of Lizard Boy was the Seattle Rep’s late Director of Education Andrea Allen. She, along with Manning, edited Huertas’ diary entries and helped him craft them into what became

the plot and the music is the combination of harp and cello,  working together to evoke the ancient Chinese zither called Guqin, which was played by the historical Cai Yan. The stage design by Art Giddings includes projections of luminous abstract paintings by Tacoma painter Becky Frehse, the makeup in Chinese theater style is by Portland makeup artist Ashley Bryant, who has studied in Beijing, and the costumes by Kathleen Anderson evoke China of the Han dynasty but also read as universal and