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Angela Tennant ’12 Degree: Bachelors of Fine Art – Theatre, Acting Directing with an English Literature minor Organizations: Alpha Psi Omega (Member and Historian), Vpstart Crow (President), CLAY CROWS Improv (Member), SOAC Advisory Board Where are you now? “I currently reside in New York City. Upon graduation…
Alumni Check-in: Angela Tennant ’12 Posted by: Mandi LeCompte / March 20, 2013 March 20, 2013 Angela Tennant ’12 Degree: Bachelors of Fine Art – Theatre, Acting Directing with an English Literature minor Organizations: Alpha Psi Omega (Member and Historian), Vpstart Crow (President), CLAY CROWS Improv (Member), SOAC Advisory Board Where are you now? “I currently reside in New York City. Upon graduation at PLU, I was accepted into the MFA Acting program at The New School for Drama, and I’m in
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PLU Theatre and Dance are thrilled to announce our Spring 2021 guest artist meet-ups and masterclasses! Our diverse roster of professionals will be connecting with our students about dance, acting, voice work, auditioning, directing, and more! R.J. Tancioco R.J. Tancioco has served as the music…
Theatre Guest Artists in Spring 2021 Posted by: Reesa Nelson / February 16, 2021 February 16, 2021 PLU Theatre and Dance are thrilled to announce our Spring 2021 guest artist meet-ups and masterclasses! Our diverse roster of professionals will be connecting with our students about dance, acting, voice work, auditioning, directing, and more!R.J. TanciocoR.J. Tancioco has served as the music director for the 5th Avenue Theatre, Village Theatre, Seattle Rep, ArtsWest, and other local playhouses
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Faculty nominate students for the Dean’s Award via an online process. Final award decisions are made by the Dean in consultation with school/department leadership.
Reyes ’24 (Music Education) Hanne Laure’l Ferguson ’24 (Theatre – Acting/Directing & Design/Tech) Luke Harvey ’24 (Studio Arts & Art History) Cecelia Lerner ’24 (Elementary Education) Juliana Rodriguez ’24 (Dance & Innovation Studies) Brian Sung ’24 (Business Administration) Karen Zamora-Chavez ’24 (Studio Arts) 2022-2023 Rae Hyra ’23 (Music) Naomi Southard ’23 (Music) Ella Kalinichenko ’23 (Music) Anna Van Vleet ’23 (Acting/Directing and Theatre Design/Tech.) Brooke Nelson ’23 (Dance Minor
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Religion students at PLU have the opportunity to explore the history and diversity of religion abroad.
Study Abroad Religion students at PLU have the opportunity to explore the history and diversity of religion abroad. Greece RELI 213: Religions of the Ancient Mediterranean, GreeceExplore the rich history of ancient Mediterranean religious life in Greece. Dr. Antonios Finitsis will be directing this course in Summer 2021 and J-term 2023. Honolulu, Hawaii RELI 132: Religions of East Asia in Honolulu, HawaiiExplore the religious diversity of Asia in one city. This course is on indefinite hiatus
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Corbitt wishes to leave audiences ‘inspired and hopeful’ As director Kristina Corbitt walked into the room where she was supposed to be meeting her cast and crew for a rehearsal, she was shocked to find the room dark.“There was only one other person, sitting on…
weeks, PLU junior Corbitt, along with the cast and crew of “The Skin of Our Teeth,” have been busy rehearsing for four hours almost every day. During her first year at PLU, Corbitt was involved in every single production of the first semester. More recently, however, she has taken a directing course and served as a stage manager. “I was involved in the theater program in high school,” Corbitt said, “And I really admired the choices in the productions of the university. I think that’s what drew me to
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Professor of Theatre | School of Music, Theatre & Dance | smithtt@plu.edu | 253-535-7323 | Tom Smith is a playwright, director and improviser. His plays are published by Samuel French, Playscripts, and YouthPLAYS, among others. Monologues from his plays appear in five collections of works, and his short plays have been produced internationally. His work has been enjoyed by audiences in cities across the U.S., including Seattle, Kansas City, San Francisco, and Chicago, as well as in Australia, Belgium, Canada, Germany, Ireland, Latvia, Netherlands, New Zealand, Romania, Sweden, Switzerland, and the United Kingdom. Tom is also the author of The Other Blocking: Teaching and Performing Improvisation(Kendall Hunt) and articles and reviews for Theatre Journal, Theatre Topics, The Players Journal, and several resource books. Tom graduated from Whitman College with a BA in Dramatic Arts and Secondary Education certification, and earned his MFA in Directing from University of Missouri-Kansas City. He is a proud member of the Dramatist’s Guild and Stage Directors and Choreographers Society. .
Tom Smith Professor of Theatre he/him Phone: 253-535-7323 Email: smithtt@plu.edu Office Location: Karen Hille Phillips Center for the Performing Arts - 217 Website: http://www.tomsmithplaywright.com Professional Biography Personal Education M.F.A., Directing and Acting, University of Missouri-Kansas City, 1994 B.A., Dramatic Arts, Whitman College, 1991 Certification, Secondary Education, Whitman College, 1991 Areas of Emphasis or Expertise Playwriting Directing Improvisation Theatre Management
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Professor of Theatre | Theatre & Dance | smithtt@plu.edu | 253-535-7323 | Tom Smith is a playwright, director and improviser. His plays are published by Samuel French, Playscripts, and YouthPLAYS, among others. Monologues from his plays appear in five collections of works, and his short plays have been produced internationally. His work has been enjoyed by audiences in cities across the U.S., including Seattle, Kansas City, San Francisco, and Chicago, as well as in Australia, Belgium, Canada, Germany, Ireland, Latvia, Netherlands, New Zealand, Romania, Sweden, Switzerland, and the United Kingdom. Tom is also the author of The Other Blocking: Teaching and Performing Improvisation(Kendall Hunt) and articles and reviews for Theatre Journal, Theatre Topics, The Players Journal, and several resource books. Tom graduated from Whitman College with a BA in Dramatic Arts and Secondary Education certification, and earned his MFA in Directing from University of Missouri-Kansas City. He is a proud member of the Dramatist’s Guild and Stage Directors and Choreographers Society. .
Tom Smith Professor of Theatre he/him Phone: 253-535-7323 Email: smithtt@plu.edu Office Location: Karen Hille Phillips Center for the Performing Arts - 217 Website: http://www.tomsmithplaywright.com Professional Biography Personal Education M.F.A., Directing and Acting, University of Missouri-Kansas City, 1994 B.A., Dramatic Arts, Whitman College, 1991 Certification, Secondary Education, Whitman College, 1991 Areas of Emphasis or Expertise Playwriting Directing Improvisation Theatre Management
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Our program trains students in all aspects of theater and dance: from musical theatre, acting, technical theatre and design, to foundational dance styles, stage management, choreography, producing,
PLU’s Theatre & Dance Department prides itself on our dynamic and challenging curriculum supported by a season of up to 10 productions each year.Our program trains students in all aspects of theater and dance: from musical theatre, acting, technical theatre and design, to foundational dance styles, stage management, choreography, producing, directing, and playwriting.Want opportunities? We have them! Each season we produce 4 faculty-directed shows and 4-6 student-directed productions. That’s 8
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Our program trains students in all aspects of theater and dance: from musical theatre, acting, technical theatre and design, to foundational dance styles, stage management, choreography, producing,
Theatre & Dance at PLU is proud to offer a dynamic and challenging curriculum supported by a season of up to 10 productions each year.Our program trains students in all aspects of theater and dance: from musical theatre, acting, technical theatre and design, to foundational dance styles, stage management, choreography, producing, directing, and playwriting.Want opportunities? We have them! Each season we produce 4 faculty-directed shows and 4-6 student-directed productions. That’s 8-10
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