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it. Good call, Jodie Rottle’s sister. More About Jodie Rottle •    An April 2014 interview with Kupka’s Piano. Rottle, who lives in Brisbane, Australia, no longer just plays the flute; she has perfected it—and she’s also seriously expanded her musical repertoire: •    Rottle is a soloist, a chamber musician, a music teacher and a contemporary-music specialist who has premiered works by jazz and classical composers from around the world. •    She has performed at venues as varied as the Brisbane

,” Mathews writes. “And, importantly, these expressions help us to understand how it is possible for the survivor to persevere, perhaps even to flourish, in spite of the trauma that shadows their early lives.” Messiaen’s “Quartet for the End of Time” was premiered during World War II in Stalag VIII-A, a prisoner-of-war camp in Görlitz, Germany, outdoors and in the rain, on January 15, 1941. Written and performed during their internment, Messiaen performed on piano with musicians he met on the journey to

pieces of the writing of American choral composers at the time. Both feature virtuosic parts for trumpet and piano. Two works by Felix Mendelssohn, Richte mich, Gott, Op. 78, No. 2, and Mitten wir im Leben sind, Op. 23, No. 3, present profound statements of faith in glorious music. Guest artists and PLU faculty members Oksana Ezhokina (piano) and Zachary Lyman (trumpet) will travel with the Chorale. “In addition to being a superb pianist, Oksana is a wonderful collaborator: it often feels like we’re

remember fondly her stellar performance of Prokofiev’s wickedly difficult Sonata for Flute and Piano in her senior recital.” So while Rottle’s PLU plan might have been a little up in the air, one thing was certain: After earning a bachelor’s degree in Music, there was no question she was a musician. And she wanted even more. “Being a student, you need to get the credentials and skills,” Rottle said. “Especially being a performer, it is less about the academic side of it; it is more about the training

Regency Voices features two compositional perspectives of ‘The Prodigal Son’ Posted by: Mandi LeCompte / March 3, 2015 March 3, 2015 On Friday, March 6, PLU’s Regency Voices ensemble presents two musical realizations from Debussy and Sullivan of the iconic story of the Prodigal Son as part of the 2015 SOAC Focus series on perspective. The concert in Lagerquist Concert Hall, features Janeanne Houston, soprano, James Brown, tenor, Charles Robert Stephens, baritone, Sheila Bristow, piano, Paul

, no tickets   Piano Ensemble May 7 at 8p.m. Lagerquist Concert Hall Under the direction of Diana Walker, the Piano Ensemble will include performances of: “Piano Sonata” by L. Beethoven; “Ritmo” from Danses Andalouses by M. Infante; “Old Adam” from The Garden of Eden by W. Bolcom and more. Free admission, no tickets   The PLU Color Loop Friday, May 8, 4:30 p.m. (warm up starts at 4:00p.m.) at the PLU Track Sign up on imleagues.com (under the “Group X & Outdoor Recreations” tab). First 300 people to

will move indoors). And, if you’d like even more star power after enjoying the big-name performers of July 31, Aug. 7 and Aug. 14, the PLU Physics Department will open PLU’s Keck Observatory for stargazing those evenings, weather permitting. Here’s the lineup: July 10 The Luigi LaCross Quartet Luigi LaCross is a four-piece combo from Olympia featuring John Croarkin (flute, bass flute, harmonica, alto and soprano saxophones), Drew Gibbs (piano, hand percussion, drum kit), Phil Lawson (guitar) and

had a lot she wanted to get on paper. Inspired by her writing, PLU Professor of Music and Composer Gregory Youtz set several poems to music. And thanks to the talents of three PLU Music faculty, the poetry has a new dimension as music with lyrics. With Oksana Ezhokina behind the piano keys, vocalists Soon Cho and Cyndia Sieden sang the new melodies for Emmons Turner’s poetry. Due to the necessary physical distancing, everything was recorded individually and then edited together for one grand

for the Performing Arts. Schwartz will perform Christmas selections with the University Jazz Ensemble under the direction of Dr. David Deacon-Joyner, who will play piano with Anton’s quartet, which also includes bassist Clipper Anderson and drummer Mark Ivester. The event will be hosted by KPLU’s Kevin Kniestedt and broadcast live on KPLU. A live video stream will also be available at www.plu.edu/soac/webcast. House doors open at 11 a.m.  Early arrival is strongly suggested due to festival seating

music conservatoires and colleges. Since 2017, Mr. Myer has released four recordings on the Steinway & Sons label. Fall piano students will participate in a digital masterclass with Mr. Myer. www.spencermyer.com Patty DarlingComposer, arranger, educator, band and director Patty Darling does it all. Ms. Darling has composed music for a wide variety of mediums, including works for orchestra, wind ensemble, chamber groups, jazz ensembles, and numerous instrumental soloists. She directs the Lawrence