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, impact, importance: comment ‘mesurer’ la contribution des femmes à l’histoire de la philosophie?” Repenser la philosophie au XVIIe siècle: canons et corpus, edited by Marie-Frédérique Pellegrin." Special issue of XVIIe siècle Vol. 296, 2022: 435-450. "Réformez vos contrats!’: From the marriage contract to the social contract in Louise Dupin and Jean-Jacques Rousseau." Women Philosophers in Early Modern France, edited by Derval Conroy. Special issue of Early Modern French Studies Vol. 43, 2021: 88-105
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Autonomy at the End of the Antique World (Ashgate 2014) : View Book They Who Give From Evil”: the Response of the Eastern Church to Money-lending in the Early Christian Era (Wipf & Stock 2012) : View Book Biography Brenda Llewellyn Ihssen teaches courses in the history of early and medieval Christianity, and specific topics in historical theology and Eastern Orthodox Christianity. She also teaches in the International Honors program. Her research is focused primarily on social ethics found in Greek
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, winner of the S. Mariella Gable Prize from Graywolf Press, as well as a critical study of William Stafford, Writing the World (Oregon State University Press). She edited (with Ted Kooser, former U. S. Poet Laureate) an anthology of bird poems: The Poets Guide to the Birds (Anhinga Press). In addition, she edited three collections of short nonfiction: In Short; In Brief; and Short Takes (all W. W. Norton). A fourth anthology—Brief Encounter, co-edited with Dinah Lenney—is forthcoming from W. W
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Seattle, on Duwamish land, and in Oaxaca, on Mixtec and Zapotec land. Mentor: Workshops and classes in nonfiction Statement: When I was ten years old, a friend’s father told me, “We are changed by every interaction we have in our lives. Every person you meet will change you in some way.” I listened to his words from the back seat of his huge sedan as we drove through the mountains, a nighttime Pacific forest visible through scratched windows. The magnitude of the idea settled over me as we moved past
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and men to tell their own stories through writing. Davis currently lives in the Ozarks, where he teaches for the Program in Creative Writing & Translation at the University of Arkansas. Raised by the Pacific Northwest, he also serves as Poetry Editor for Iron Horse Literary Review. Mentor. Workshops and classes in poetry. Statement: I encourage writers to keep sight of what comes next. Yes, we will work on sharpening our craft through intensive practice with technique and through a study of
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presentation, The Boeing Corporation, Your Competitive Edge – Secrets from Olympic Success, Seattle, WA (2016) AASP Virtual Conference on Consulting in Elite Sport, Invited Lecture, It’s Exactly the Same and Completely Different, Association of Applied Sport Psychology (2016) National Coaching Conference, Hacker, C.M. & Mann, M., Unleashing the tiger in the mirror: Performance enhancement through imagery and confidence, Seattle, WA (2016) NIKE North America, Elite Athletes: Yesterday, today and Tomorrow
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faculty member in the School of Writing, Literature, and Film at Oregon State University and is the founder of the Attic Institute of Arts and Letters in Portland. Mentor. Workshops and classes in poetry. Statement: “Every society we’ve ever known has had poetry, and should the day come that poetry suddenly disappears in the morning, someone, somewhere, will reinvent it by evening. Since ancient times, as long as we’ve had language, poetry has ritualized human life. It has dramatized and informed us
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cities in Africa, Europe, and America. She studied and taught at numerous institutions in the US such as the University of Oregon, Louisiana State University, Dartmouth College, and Hobart and William Smith Colleges. Dr. Ekani’s “secret de polichinelle” is to become a novelist. So, she spends most of her spare time writing, rewriting, and editing manuscripts. In addition, she likes to travel, watch stand-up comedies, meditate, and talk to her family and friends. She applauds the freedom that comes
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Biography A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer in the United States. Highlights from recent seasons include performing at the Music by Women Festival, performing concertos by Vivaldi and Sierra and premiering a new work for guitar and orchestra with the Seattle Symphony. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi’s surviving operatic works
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celebrates shifting topographies as well as human bodies in motion, not only across water and land, but also through life.” Borich’s previous book, My Lesbian Husband (2000), won the American Library Association Stonewall Book Award. Borich’s essays have been anthologized in: Isherwood in Transit; Critical Creative Writing; Waveform: Twenty-First Century Essays by Women; and in After Montaigne: Contemporary Essayists Cover the Essays, and have been cited in Best American Essays and Best American Non
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