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talked a lot about the technical aspects of camera work relating to dance films and dancing for the camera. I used the information I gained from the master class and applied it to my classwork, especially the dance film final project for Composition and Choreography. It helped me think about how to both choreograph and dance for a camera and how this is different than dancing on a stage. —Brooke Nelson ’23, Dance minor Though the circumstances of the year are not what any of us would have chosen, I

Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022

and is a frequent soloist with symphonies throughout the United States. Moby featured Gardner prominently on his 2009 release, Wait For Me. July 31 The Rob Hutchinson Group Hutchinson teaches music theory, orchestration, analysis, counterpoint, improvisation and composition at the University of Puget Sound. He is also a jazz bassist and organizes and appears at the Jazz in the Rotunda series at the UPS. His band, the Rob Hutchinson Group, includes Kareem Kandi on saxophone, David Deacon-Joyner on

talked a lot about the technical aspects of camera work relating to dance films and dancing for the camera. I used the information I gained from the master class and applied it to my classwork, especially the dance film final project for Composition and Choreography. It helped me think about how to both choreograph and dance for a camera and how this is different than dancing on a stage. —Brooke Nelson ’23, Dance minor Though the circumstances of the year are not what any of us would have chosen, I

, or teach a private composition lesson.  I will probably be meeting with a music faculty sometime during the day.  I meet with each full-time faculty member once a month, to get to know them, and to discuss issues and concerns that they may have.  Several times a week, I will walk over the University House to have lunch with other faculty and staff, so I can gain a wider university-level perspective.  There is always some type of group meeting during the day:  with the entire music faculty or in

appeared in period performances with the Madison Bach Musicians playing repertoire including Bach’s Mass in B Minor. Dr. Gillie’s doctoral dissertation is entitled “Twentieth and Twenty-First Century Music for Soprano, Horn and Piano: an Original Composition, Professional Recording, and Research of Significant Pieces.” Information and recordings from the project are featured on Dr. Gillie’s website. Rebecca Good, trombone, is Lecturer of Trombone at Pacific Lutheran University where she teaches

composition, I would add more onto the first layer to make it more complex. Compositionally, what I was trying to do as an artist is to put order into the chaos. In the end I had to edit out some figures because there were too much. The way I controlled this was I kept all the people in groups. There are foreground groups and groups by the houses, and by clumping, I organized those clumps and made sure that those vignettes separate so that they don’t look so merging. It is like being a director of a play

.” So, for example, Sept. 15’s guest speaker is Peace Scholar Andrew Larsen ’15, while ASPLU President Sarah Smith ’15, a Global Studies major with a concentration in Peace and Conflict Resolution, speaks Sept. 19—and then there’s that contest. September Chapel Calendar: ‘Peace’ Sept. 10: Nancy Connor and Dennis Sepper, University Pastors Musician: Clara Eickhoff ’15, vocalist Sept. 12:  PLU President Thomas W. Krise Musicians: Dr. Greg Youtz, Professor of Music Dr. Richard Nance, Director of Choral

careers here. My hope for them is a professional and personal life as full, rich and sustained as I’ve enjoyed at this very special place. David Robbins is professor of music and chair of the music department. Read Next Think faster, work harder, feel more deeply LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and

knew he wanted to study music, but he wasn’t interested in teaching.“At the time I was doing a general music major and considering minoring in communication or business,” Lindhartsen said. “But through my involvement with LASR (PLU’s student radio station) I was able to explore the music community and learn about careers outside of composition, performance and education.” He credits conversations with music professor Greg Youtz, an inspirational songwriting and production course, and his experience