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creative nonfiction in PLU’s MFA program from 2010 to 2013. After graduating in August 2013, Moderow gave “Fast into the Night” one last rewrite before sending it to an agent in early February. Moderow was signed within two days and, within a week, her book was sold to publishing company Houghton Mifflin Harcourt. Moderow is currently on a book tour to promote and discuss “Fast into the Night.” She hopes to write more memoirs that reflect on journeys “in the company of other species,” she said, in the

Universal language: how teaching music in rural Namibia was a life-changing experience for Jessa Delos Reyes ’24 Posted by: Zach Powers / April 16, 2024 Image: Jessa Delos Reyes ’24 is a music education major from Tacoma. (Photo by Sy Bean/PLU) April 16, 2024 By Emily Holt, MFA '16PLU Marketing & Communications Guest Writer When the principal of N/a’an ku sê, a rural school in Namibia that serves the San people, asked PLU music education major Jessa Delos Reyes ’24 to expand their existing

person you are today.” It is my great joy to thank our own Rwandan visitors and the backs that carried them. For it is through stories such as these that we as students of PLU can continue to strive to be global citizens in this world. Read Previous Student’s Study Away Experiences Lead to State Department Internship Read Next PLU’s First Female Football Player Says It’s a Whole Different Ballgame as a Lute COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have

were shot on location at my alma mater, the School of Philosophy and Letters at the National University. I’m deeply proud of my college and as someone who strongly believes in public higher education, it does make me nostalgic to look back. I also love how “Güeros” captures several aspects of the city: not only its scale, the endless traffic jams and its sharp social contrasts, but also the sense of humor of its inhabitants and how they are able to lead a slower-paced life in the midst of all that

, teaching English for a few years in a rural school, returning to Washington—and seeing a colored-pencil drawing at a relative’s house. These pencils were not just your usual Crayolas, Kullberg thought, and she was captivated that professional brands could be used as an art medium. “Colored pencils and I were meant to be,” she said. “I am a champion for colored pencil artists and the medium. It was all timing and meant to be.” Kullberg then bought her first set of 24 Prismacolors. (Little did she know