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Post. But something just wasn’t clicking. “I wanted to see what else grabbed me other than journalism,” she said. So, after a stint with National Civilian Community Corps, a branch of AmeriCorps, and teaching kids garden art as part of an after-school program, Laumb decided to turn a quirky hobby into a fun new job. She traveled and performed with the Flynn Creek Circus, an animal-free circus, for three months over the summer. The circus showcases knife throwing, flying trapeze, hoop diving and

August 11, 2008 Iconography highlighted at summer art exhibit Colorful paintings adorn the walls of the University Gallery, and in the center of the room sit several glass cases filled with scrolls, painted wood objects and parchment Bibles. The exhibit, “Picturing Faith: Continuing Traditions of Iconography and Illumination,” opened July 28 and runs through Aug. 22. It features the work of accomplished iconographer Kathy Sievers, along with pieces from the collection of Wang Center director

vision of one day seeing her art in a museum. “I know that I’m going to manifest that for myself, because I know I’m worth that, and what I envision is worth that,” she says. Using mixed media ranging from denim and drapery textile samples to braiding hair and acrylic paint, Thompson envisions her work as a space to reimagine what the world could look like “if we accepted who we are beyond expectations and structures within society.”  One such space has been the University Gallery Annex, where

-knit community.“Hey Hannah, should you be in class?” a staff member playfully asks. “It’s alright, it’s my free period,” Park responds cheerfully. “Wow Hannah, you’re famous!” calls out a classmate, nodding toward the camera. Park’s involvement at Franklin Pierce was broad and extensive. During her senior year alone, she served as the president of school’s Future Business Leaders of America chapter, treasure of senior class leadership, editor of the Key Club Social Bulletin and vice president of

the federal level.By having a nineteenth-century character make this hairstyle choice, Sanditon shows how Georgiana’s experiences as a mixed-race woman living in Regency England still resound in modern times. Georgiana’s self-expression is far more than her hairstyle choices, more than her relationships with artists and to art. As Georgiana continuously proves over the course of the two seasons, and doubtless will in future ones, she is her own muse, creating the future she desires. Works