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things fall into place. How do you feel about premiering new pieces with Choir of the West and the University Symphony Orchestra this Spring? I am still reeling from premiering my first piece with Choir of the West two years ago! Being asked to write for the choir one time meant a lot to me, but the fact that I was asked again is the most gratifying thing in the world. I stayed for the plus year specifically to be in Choir of the West again. I collaborated with Anika Hille, who is also in the choir

Lane About the Composer Peter Van Zandt Lane’s music has been praised by critics for its’ “depth, character, and pleasing complexity” (Boston Musical Intelligencer), and has been recognized for its “appeal to musicians and audiences, no matter their personal musical aesthetic” (Asymmetry Music Magazine). He composes for chamber ensembles, band, orchestra, and often integrates electronics into his concert music. Tapping into a visceral sense of rhythm and momentum, Peter’s works traverse the space

participate in an additional ensemble, but the scholarship expectation remains in the area of your award. If you audition in multiple areas, the PLU faculty will determine the area in which the scholarship is awarded. If you intend to accept a scholarship only in one particular area, do not submit multiple auditions. Audition only in your preferred area. What are the instruments/concentrations you accept? Instruments Bass (Electric/Jazz or Orchestra), Bassoon, Cello, Clarinet, Drum set (Jazz), Euphonium

best part is having those “Ah-ha” moments where things fall into place.  How do you feel about premiering new pieces with Choir of the West and the University Symphony Orchestra this Spring? I am still reeling from premiering my first piece with Choir of the West two years ago! Being asked to write for the choir one time meant a lot to me, but the fact that I was asked again is the most gratifying thing in the world. I stayed for the plus year specifically to be in Choir of the West again. I

exchanges with local students. The jazz ensemble, a student jazz big band, will perform a program of jazz standards and contemporary, original works. Performances will feature compositions and arrangements of such notable jazz composers as Duke Ellington and Thelonious Monk, and repertoire from historic big bands such those of Buddy Rich, Count Basie, and the Village Vanguard Orchestra. Styles will range from 1930s swing to funk, Afro-Cuban and Brazilian. Under the direction of Dr. David Deacon-Joyner

department – instrumental and choral – a legacy celebrated at his retirement when he conducted Choir of the West, University Chorale, University Symphony Orchestra and his first love, University Wind Ensemble at the Commencement Concert that year.” “Gordon mentored so many at PLU during his time as faculty. My first office was next door to Gordon and, as a sprat straight out of graduate school, Gordon helped me navigate my first experiences with college teaching. Gordon taught generations of music

like Terry Riley, Stuart Dempster, Wayne Horvitz, Elvis Costello, Brandi Carlile, and Sir Mix-a-lot, just to name a few! Seattle music institutions Kate has played with include the Seattle Men’s and Women’s Choruses, Seattle Rock Orchestra, Electric Circus, and cabaret producers Can Can Presents and Verlaine & McCann. Kate has been nominated for multiple Golden Ear Awards in multiple years by Earshot Jazz. Kate has a BA in Music (Jazz Emphasis) from the University of Wyoming and an MM in

will be broadcast on Christmas Eve as well as Christmas Day in the Greater Seattle and in Oregon television markets. For almost 90 years PLU’s Christmas concerts have served as a touring showcase of PLU’s prestigious music department, featuring performances by the Choir of the West, University Chorale and the University Symphony Orchestra. This year will be the first time the production will be broadcast, thanks to a partnership between PLU and Oregon Public Broadcasting (OPB). Public Broadcasting