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timely scholarship. “One of my goals at PLU is to promote early engagement of undergraduate students – especially for women and underrepresented students – in machine learning, bioinformatics, and the data science field,” he says. “I want to inspire students to pursue advanced STEM education and research careers.”  Cao explains: “Not only is research interesting for the students, I think it’s truly an important part of their education in computer science. I liken it to the Chinese proverb, from

composers: Mary Lou Williams, Maria Schneider, Patty Darling, Ellen Rowe, and Carla Bley. The pieces presented at this concert represent a small sample of a body of compositions that have been growing steadily over the decades. With music written as early as in the 1930s and as recently as five years ago, this concert will span many eras and iterations of jazz, from swing era “popular” music to bold, modern works. Cassio Vianna, Director of Jazz Studies and Assistant Professor of Music, assembled the

Pacific Lutheran University premieres new original opera: Fiery Jade Cai Yan Posted by: Mandi LeCompte / October 18, 2016 October 18, 2016 By Mandi LeCompteOutreach Manager PLU Music Professor Gregory Youtz teams up with prominent Chinese poet Zhang Er, Professor at The Evergreen State College in Olympia, to create this new work around the life of an extraordinary woman poet of ancient China, Cai Yan. In this new opera, Fiery Jade: Cai Yan, we see the collapse of a dynasty, the sack of a city

, as the old joke goes, the extent of diversity on campus, was Swedes, Danes and Norwegians. But as the university began to grow, both in student population and in recognition, the make-up of the student population began to change. A lot of this has to do with PLU’s history. PLU always had an international focus inasmuch as it was very connected to Norway. By the late ’70s, things were beginning to fundamentally change – PLU was becoming more globally focused. By the early ’80s, according to Phil

April 1, 2013 Greg Youtz: Composing for the cannery – of boxcars, rhinos, and grapes By James Olson ’14 In 1973, a 17-year-old Gregory Youtz departed from Sea-Tac International Airport and landed in France. Meritoriously skipping the third grade, the young composer had afforded himself the luxury of a year in limbo – graduating high school a year early and giving himself time to explore before college. In the dead space between high school and “higher learning,” potential itineraries sprawled