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that hung from the ceiling.He crafted the first model from cardboard in 1966 before experimenting with a second version made from Masonite and eventually settling on Plexiglas as the favored material. For five-year-old Bliss, his grandfather’s acrylic tree was a thing of wonder and a hallmark of the Mid-century Modern design aesthetic Bliss would grow to love. “That tree was special not only because my grandfather designed it,” Bliss said. “But also because it made the holidays memorable. It was

, D.C., and was then completing a master’s of communication, also from American. For nearly 10 years, he’d worked in banking, marketing, and finally public relations. “I didn’t like it, I certainly didn’t hate it,” Wells, associate professor of communication, mused recently during a break from sabbatical work on a certificate in documentary studies at Duke University. “But I came home at the end of each day and asked, ‘What have I really accomplished today?’” That question began to gnaw at Wells

. Black music makers not only had a means to make a reasonable living, but also had the means to be a public voice for personal and community cultural expression. By the beginning of the twentieth century, African-American music represented by ragtime, blues, jazz, and popular song was pulling the American cultural mainstream away from European influence. No one was more aware of this than Europeans themselves, who were captivated by the lively exoticism of this music that had risen from its societal

has been suggested by wildlife advocates. But Bergman was uncertain just what an effective answer might be. Walk down any market in Mexico, he said, and it’s not unusual to see a rainbow of feathers stuffed in small cartons or other exotic animals in cages piled 10 to 12 feet deep. Anything – from monkeys to jaguars – can be had for a price. And no one has a good fix on just how many animals are in the pipeline, Bergman said to a gathering of about 200 people last week in the University Center

Ešenvalds’ O Salutaris Hostia follows, and brings a spiritual strength to this resolve. The ensemble finishes the set with JAC Redford’s Let Beauty Be Our Memorial, which reflects our desire to be remembered for the beauty that we create, to use beauty, kindness and love to win out over hatred and evil. In addition, audience members will hear pieces rarely performed. Halsey Stevens’ Magnificat and Norman Dello Joio’s Song of the Open Road were both written in the mid-20th century, and are representative

pharaoh Hatshepsut, who ruled from around 1502 to 1482 B.C. Since the original dig in 1989, he has returned several times to continue the PLU Valley of the Kings Project. Ryan will speak about the most recent discoveries during a talk this week at the Scandinavian Cultural Center in the UC from 7 to 9 p.m. on Wed., Sept. 29. Lawrence M. Berman from the Museum of Fine Arts in Boston will also be there to describe the contents of another tomb discovered in 1915 in middle Egypt. The Valley of the Kings

Wang Center for Global Education, also showed a series of videos about Tutu, South Africa and the creation of apartheid. The roots of the separation of races landed with the Dutch immigrants who came to the southern tip of Africa in the 17th century. The actual doctrine was established by the National Party in 1948. The apartheid was a legal system that curtailed the rights of the majority ‘non-whites’ in South Africa under the rule of the white minority. Tutu was born in 1931, and at first wanted

February 7, 2014 Chinese students pair up with Lutes in a “speed-dating” exercise at PLU on Jan. 30 designed to discover cultural intersections. (Photo: John Froschauer / PLU) International ‘Speed Dating’ Creates Cultural Connections By James Olson ’14 Students from six Beijing high schools congregated in the Anderson University Center on Jan. 30 to participate in a cultural exchange that looked a lot like a speed-dating session—on purpose. The students, who were visiting Pacific Lutheran

PLU Archaeologist Visits Some VERY Old Friends Posted by: Zach Powers / May 1, 2015 Image: Left, the shaft of a tomb is opened for investigation by the PLU archaeological expedition. Center, Ryan near Tomb 60. Right, the expedition works outside a tomb under a canopy. (Photos Courtesy Denis Whitfill, PLU Valley of the Kings Project) May 1, 2015 By Evan Heringer '16PLU Marketing & CommunicationsTACOMA, WASH. (May 1, 2015)- Howard Carter may have discovered King Tut’s tomb in 1922, but the Valley

students truly respond to them and are very open to get their assistance.”Kathryn Bullock ‘12 started Club Keithley her sophomore year. She had a passion for helping children who haven’t always had the easiest path. Bullock hopes to continue that passion when she graduates by working as a social worker with at risk youth. Having PLU students like Castor in her class gives Denis Allen more time to instruct and students an extra person to help them figure out their math problems. It started with a few