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  • and improved website, and partly to better reflect PLU and the Lutes who love it. We deeply appreciate your input into the process. We also deeply appreciate the input of one particularly invested party: Jon Olson ‘62 , creator of the first PLU magazine ever (and the man behind its first title change). Olson called me in February after he’d heard we were thinking of renaming Scene . He wanted to give his blessings—which I accepted with great gratitude—and I really wanted to talk to him about his

  • has been adapted in many different forms throughout the world, including opera, dance, and film adaptations. With over 17 student performers, 7 students will be performing as either first-year students or new additions to the PLU stage. “Blood Wedding is a truly unique play in its substance and style. It is beautiful in its language, enthralling story, and universal themes of conflict between human nature and societal ideals.” “The performance is sure to provide for an engaging theatrical

  • has been adapted in many different forms throughout the world, including opera, dance, and film adaptations. With over 17 student performers, 7 students will be performing as either first-year students or new additions to the PLU stage. “Blood Wedding is a truly unique play in its substance and style. It is beautiful in its language, enthralling story, and universal themes of conflict between human nature and societal ideals.” “The performance is sure to provide for an engaging theatrical

  • Wallschlaeger, director for Evangelical Mission, Southwestern Washington Synod P LU embraces its middle name—its Lutheran heritage and higher education values that engage students, faculty and staff from all faith and religious backgrounds (or no religious affiliation) in meaningful and authentic ways. The university exists at the intersection of spiritual diversity and change in the Pacific Northwest, an area known as an exciting spiritual frontier and simultaneously, in contrast, known as the “none zone

  • March 19, 2014 MSF Team’s Stock Rises at Major Financial Competitions PLU’s CFA Challenge team at the local competition in Seattle (which it won!). From left: Kirk Swanson, Tobias Kornberg, Raji Kaur, Kristoffer Dahle, Evan Turner. (Photo: CFA Seattle.) By Sandy Deneau Dunham PLU Marketing & Communications PLU Master of Science in Finance students have won the local 2014 Chartered Financial Analyst (CFA) Institute Research Challenge and competed in its prestigious Americas Regional Finals. And

  • which provide the name of the tomb and its date, the fact that it is undecorated and a plan of the tomb,” said Ryan. The Valley of the Kings is the final resting place of many famous Egyptian pharaohs, most notably King Tut. However, buried among the incredibly painted royal sepulchers that captivated the world, lay tombs that were deemed insignificant by early archaeologists and doomed to be lost within the Valley’s sand and limestone. That is, until Ryan and his team rediscovered some of these

  • , leading to the first public meeting held at Pierce College.  Fifty-five individuals from the community attended a meeting in 2001, and thirty paid dues to provide the initial financial support for the project.  Members were surveyed regarding course ideas and activities, and based on the input from those surveys, it was decided we would focus on one-time lectures instead of weekly classes lasting a full quarter.  That October found Learning Is ForEver (LIFE) launching its first educational classes for

  • “These Four Years” premieres on campus April 28 These Four Years, MediaLab’s newest documentary, will have its on-campus premiere Thursday, April 28, 2016, in the Studio Theater. The film has recently received both the Award of Merit from the Accolade Competition of Southern California and a National Broadcasting Society Award in the documentary… March 30, 2016 MediaLab

  • classroom. While the theme of the conference, which addresses issues of race and its impact on education, was “What NOW is the Work of Education and Justice? Mapping a New Critical Conscience,” Davidson drew on a very personal experience for her presentation, “We are Here to Participate: The Latino Civil Rights Narrative-in-the-Making in Latino Americans: The 500-Year Legacy That Shaped a Nation. ” “I became interested in presenting on this topic during a U.S. Latino/a Literatures seminar that I taught

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