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for these upgrades actually began in the fall of 2012. Under increasing demands for recording and streaming events, Travis Pagel (photo-left) and I (photo-right) met to discuss goals for a system upgrade. Because most events are supported by student technicians, increasing ease of use was at the forefront of our plans. The decision to switch to the Pro Tools software on the Macintosh was adopted early-on for it’s durability and simplicity. To streamline the recording process, analog CD recorders

work look like? After graduation, I worked as a Consumer Insights Manager at T-Mobile’s Brand, Consumer, and Market Insights department where I led early tenure Customer Health and Experience program. I conducted research and analysis to answer questions such as What brings customers to T-Mobile? What are their needs? What are the drivers of customer satisfaction and loyalty? After a couple of years at T-Mobile, I transitioned to Facebook in Menlo Park, California to join the Consumer Insights team

there.” Brown likes to present a wide variety of musical styles to students. PLU Opera has done early operas like Monteverdi’s L’Orfeo and Handel’s Semele, core repertoire operas like Mozart’s Magic Flute and Johann Strauss’ Die Fledermaus, and 20th century operas like Kurt Weill’s Street Scene and now A Midsummer Night’s Dream by Britten. “I love introducing new works to students and seeing the fresh ideas they bring to a centuries-old art form,” Brown says. Each year Brown looks for operas with a

a great example of student/faculty research! We are also blessed with an opera orchestra of PLU faculty members,” Brown says. “It’s going to be a great show!” Arrive 30 minutes early to enjoy concessions, including snacks, beer and wine; a portion of concession proceeds benefit the arts at PLU. Purchase tickets through the PLU Campus Box Office at the Concierge desk in the Anderson University Center and on the phone at 253-535-7411.  Tickets are $15 General Admission, $10 Senior Citizens (55

August 4, 2010 Tenacity is the hallmark of ad man’s work By Liz Anderson ’10 Brian Ford ’95 began his creative work early during his college career, designing posters for clubs and organizations through ASPLU’s agency, known as Impact. Now, as co-founder and creative director of the advertising agency Zambezi, his list of clients includes NBA superstars Kobe Bryant and, as it pertains to his endorsement deal with Vitaminwater, LeBron James. Ad man Brian Ford’s list of clients includes NBA

:   Helping attract potential student athletes   Providing a venue to host NCAA Division III playoff games   Creating an opportunity for year-round practice and games for PLU and for community baseball teams   Last summer, the running track was resurfaced and a new drainage system was installed. As in years past, it will be the host site of the PLU Invitational track and field meet in early spring. It will also be the location for the 2012 Northwest Conference Track and Field Championships. Updating the

to the Pacific Northwest. Thompsen had been finishing a two-year program at a business college in Norway and was ready to go on to a university. First, he made his way to a university in New Orleans. A semester later, he was ready to move on. Classes where hundreds of students packed a lecture hall to be taught by teaching assistants, not professors, was disappointing to say the least, Thompsen recalled. By chance, he had a friend attending PLU. It became apparent to him early on  that it might

teenage angst, an expression of group membership, and a type of rebellion, converting unbearable emotional pain into manageable physical pain. The Adlers analyze this troubling behavior, point to its effects on current and former users, and predict its future as a practice for self-discovery or a cry for help. Self-injury is a practice that spread dramatically in the late 1990s and early 2000s, largely due to the internet, where practitioners could find others engaged in the same behavior. Self-injury