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, including PLU faculty and staff, alumni, and students. Since its founding the choir has grown to a full membership of 60-70 singers, with a touring ensemble of approximately 30-40 singers. The choir meets one evening each week for rehearsal during the academic year and members are selected by annual audition. The choir performs three or four concerts each season. Programs are comprised of shorter choral works or major choral literature with orchestra or chamber instrumentation. The choir often

, Crom said. Books range in price from a few bucks, for a used paperback a student might use in a Literature class, to up to $200 for some business or nursing textbooks. Students who purchase used or new books can participate in the buyback program offered by the bookstore. Students that also purchase a set amount of books at the bookstore will receive gift cards to be used against future purchases. “It’s a new loyalty program for textbooks,” Crom said. Students will receive a “loyalty card” that

Students crammed into PLU’s Studio Theatre on April 17 for the 2014 edition of PLU’s Hebrew Idol Live finale. Even the stairs and aisles were filled as the audience clapped, cheered and laughed its way through the event, hosted by Tommy Flanagan ’14 and organized by Religion Professor Antonios Finitsis. PLU Hebrew Idol reflects the knowledge students have gained in Finitsis’ introductory Religion and Literature of the Hebrew Bible course. Each year, students are required to apply their interpretations

accessible to all students,” PLU provost Joanna Gregson said. The ARTS committee’s findings indicated that standardized tests aren’t always the best way to measure student potential and capacity, and can reinforce inequities in access to higher education. Additionally, such tests don’t determine whether a prospective student will be a good fit for PLU — and can actually unintentionally filter out students. “We know from the literature that standardized test requirements pose a significant obstacle for

Wolf, New Voice in Chinese Women’s Literature Love in a Fallen City by Eileen Chang, translated by Karen S. Kingsbury Danish The Faces by Tove Ditlevsen, translated by Tiina Nunnally Dutch The Discomfort of Evening by Marieke Lucas Rijneveld, translated by Michele Hutchison French The Lover by Marguerite Duras, translated by Barbara Bray Persepolis by Marjane Satrapi Caribbean Writers A Season in Rihata by Maryse Conde, translated by Richard Philcox (Guadeloupe) Memory at Bay by Evelyne Trouillot

human emotions and the progression of relationships. This year’s guest choreography exposes the relationship between the hunter, the prey and the wolf. Guest choreographer Jessica Zoller explains that the inspiration for her piece Keep them at Bay occurred while listening to an episode of This American Life. The episode discussed infamous American Custer Wolves that terrorized cattle and eluded hunters in the early 1900s. Intrigued by the Custer Wolf, Zoller decided to explore themes of

. The Holocaust has completely reshaped the world’s perception of human atrocity; it has birthed countless reflections on how we can prevent genocide in the present and future, and how we can better respond to genocide. But only 35 years later, the international community turned a blind eye to the genocide of Cambodia.   Kathryn Perkins In my research, I focused on how the Cambodian genocide was portrayed in the American media. Journalists hold a unique position in that they have a credible

valiantly supported by a dedicated team of doctors at Fred Hutchinson Cancer Research Center and the Seattle Cancer Care Alliance. In her short time with us, Rae Linda made an indelible mark on PLU. She was a supreme champion for student access and she inspired many students with her remarkable journey from humble beginnings to Yale University, where she earned both her master’s degree in African American Studies and her Ph.D. in Musicology. Music filled Rae Linda’s life. Her grandparents, father, aunt

human emotions and the progression of relationships. This year’s guest choreography exposes the relationship between the hunter, the prey and the wolf. Guest choreographer Jessica Zoller explains that the inspiration for her piece Keep them at Bay occurred while listening to an episode of This American Life. The episode discussed infamous American Custer Wolves that terrorized cattle and eluded hunters in the early 1900s. Intrigued by the Custer Wolf, Zoller decided to explore themes of

Rolison at the University of Utah, and is a Fellow of the American Association for the Advancement of Science (AAAS), the Materials Research Society (MRS) and the American Chemical Society (ACS). She received the ACS Award in Chemistry of Materials in 2011 (and was the first woman to do so) and will be the recipient of the Society for Electroanalytical Chemistry (SEAC) Charles N. Reilley Award in 2012. Rolison’s research at the NRL focuses on multifunctional nanoarchitectures, with emphases on new