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commitments to social justice, will invite participants to consider the relationship between environmental and public health as she addresses sources in Lutheran higher education that foster a spirituality of justice. Paul Westermeyer, a distinguished Lutheran musician and historian from St. Olaf College and Luther Seminary, brings his scholarship on the music of justice that forms ethical commitments. In that light, and in support of PLU’s commitment to promote justice and peace, the fourth annual
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their careers and others will continue their academic pursuits. They have all found a passion for a vocation and are ready to engage the world. The students who shared their stories here joined 877 students who graduated from PLU this academic year. Here is a sample of a few students. Find the complete In their own words HERE. Anna Pfohl, Bachelor of Science in geosciences and Bachelor of Arts in environmental studies Anna Pfohl ’13 is from Little Falls, Minn. Why PLU? I visited PLU during the
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and environmentally sustainable agriculture. Laurie-Berry started teaching at PLU in the fall of 2008. In addition to Plant Physiology, Laurie-Berry’s other classes include Plant Development and Genetic Engineering and a first-year writing class focused on global agriculture, world hunger, genetic engineering and related topics. “Our central question for the course is how agriculture and related systems must change to alleviate global hunger,” Laurie-Berry says.Before 2015, the original PLU
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eventually get into “The Miraculous Ladybug”: “Any show that has any kind of diversity that kids can pick up is just really fun to watch.” Watts gravitated towards cartoons because she particularly enjoys writing scripts for animated kids stories. “I aspire to be a writer,” she said. “It’s where my passion lies.” “Spectrums of Color” tells a cohesive story using those separate vignettes — “Autistic Alliance,” which aims to spread awareness of autism and showcase women of color on the high and low sides
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”. On finding who you are as an artist: When you’re a kid in the second grade, they are teaching you to write. You have 26 letters and they didn’t tell you that with 26 letters, your personality is going to jump out. Not today, not tomorrow, but in your signature and in your writing - you can’t stop it. Well, art is the same way. If you do it over and over and over and over again as much as you’ve signed your name and written, whatever you’ve made is going to have your personality. No matter what
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document camera. Any content on your screen can also be captured, such as digital annotations or writing, software demonstrations, slide presentations, or website interactions. Instructors can think-aloud in a video offering critical commentary, telling an engaging story, or providing an analysis of key course content. Effective instructional recordings are typically 5-10 minutes each in length. Larger topics can be divided into a series of recordings and shared in a playlist. Shorter videos are easier
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half worn off on the keyboard of the laptop she is currently writing this bio on–and so thank goodness there is joy in that too. She is immensely grateful for the intellectual freedom she enjoys in her scholarship, for the opportunity to interact with hopeful young adults on a daily basis in the classroom, and for the inspiration she gets year in and year out from PLU colleagues. Student-Faculty Research Grants Kelmer Roe Student Faculty Collaborative Research Grant ($2880), for students Kasey
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(April 4-7, 2013) 110th Annual Conference of the Pacific Ancient and Modern Language Association (PAMLA), Whose Trauma, What Memory? O Ano em Que Meus Pais Saíram de Férias” by Cao Hamburger (2006), Seattle University, Seattle (October 19-21, 2012) Xenographies II: The Representation of Foreigners in Literature, Travel Writing and Other Discourses, sponsored by Sociedad Española de Literatura General y Comparada (SELGYC), the British Comparative Literature Association (BCLA), and the Centre for
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(April 4-7, 2013) 110th Annual Conference of the Pacific Ancient and Modern Language Association (PAMLA), "Whose Trauma, What Memory? O Ano em Que Meus Pais Saíram de Férias” by Cao Hamburger (2006), Seattle University, Seattle (October 19-21, 2012) Xenographies II: The Representation of Foreigners in Literature, Travel Writing and Other Discourses, sponsored by Sociedad Española de Literatura General y Comparada (SELGYC), the British Comparative Literature Association (BCLA), and the Centre for
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little stick-shift cars around roundabouts. She used to take students to Martinique during J-Term in the French Caribbean; there, she became an expert at yelling “arrêt!” to signal her stop to bus drivers. Oh, and she once spent a summer in Quebec City. Prof. Wilkin’s favorite things in life are friendship, family, long walks, and bougie dinners. But she spends most of her time working–the plastic is half worn off on the keyboard of the laptop she is currently writing this bio on–and so thank
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