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dedication and desire to succeed. I also love the growth that I see in students throughout their PLU careers. Any fun facts about you? I love to go crabbing with my family. Read Previous University Choral Union presents Gioachino Rossini’s “Petite Messe Solennelle” Read Next Concert web streaming of PLU’s annual Christmas Concert, Gloria LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU
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family! Read Previous Snapshot of the recent Honolulu trip Read Next Wind Ensemble’s World Premiere of Echo Chambers LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere
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during a break in rehearsal. Jack Sorensen, ’13, plays Stephen, who is a ghost, then nine years old, and then his adult self as the play ends. Jill Heinecke, ’13, plays the youngest, 7-year-old Claire, at the beginning of the play. PLU student Jordan Beck ’12 has also composed music for the production and also serves as musical director for all the plays. Beck’s composition will be played on an instrument called a samisen, a banjo-like instrument that is the traditional instrument of choice to
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different characters, qualities and emotions, and memorize those parts from a structured improvisation,” Winchester said. “It’s complex.” Simply, this piece is designed by chaos, meant to be fun, but also very specific. The dancers analyze the story into dance through the process of dramaturgy, the technique of dramatic composition and theatrical representation. This is what defines Vonnegut’s description of female shorthand typing pools in the 1950s. However, Winchester’s choreography itself is not the
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following questions might be useful to consider when you communicate expectations at the beginning of a term: Preparing for Class How should students prepare for each class session? When should students skim resources or read deeply? How will students know they are prepared for assessments and/or meeting learning objectives? Participation in Class What does active, engaged participation look like in this class? What are the consequences of missing class, arriving late, or leaving early? Is class
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will highlight some of the key differences between flipped and blended learning and why you might want to choose either one. The term flipped learning comes from the idea that instructors are flipping or reversing the activities traditionally completed in-class and out-of-class. The term blended learning reflects the decision to blend or use both online and onsite instruction and activities, drawing on the best of both media. Let’s look at three important factors – direct instruction, homework and
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able to develop a music business degree. “Through my involvement with LASR — the on-campus student media radio station — I was able to explore the music community and learn about careers outside of composition, performance and education,” Lindhartsen said. He credits his advisor, music professor Greg Youtz, a songwriting and production course, and putting on concerts through LASR for helping him realize the individualized major would be the best way to gain the experience needed for this type of
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develop with their students and how music binds us together. This crosses culture and helps us realize that people around the world really are all the same.” Read Previous Famous flutist visits PLU this January Read Next A Symphony of Light LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29
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Duke Steps Out’ Read Previous Army, PLU team up for free concert in honor of Music in our Schools Month Read Next New work celebrates the 500th anniversary of the Reformation LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician
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, Music Department, Administrative and Performance Assistant, Tour Chaperone Read Previous Winners of the Inaugural Angela Meade Vocal Competition Read Next New Director of Jazz Studies, Cassio Vianna LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to
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