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Vines for six hours straight and danced through the halls into the wee hours of the morning. A pivotal moment came early on the third day. After drawing up blueprints for an algorithm—which Matthew said they “lovingly” called the Optimal Node Interconnected Objectives Network, or ONION for short—they waited and watched as the code they had staked their entire paper on refused to run. They put sad music on and took a nap. When they woke, they realized they had enough evidence to continue their
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illustrated how feature films, music videos, sports, video games and news organizations have narrowed the definition of what it means to be male. The images showed a dramatic increase in the size of men’s bodies, the size of weapons and the portrayal of women as objects. For example, Batman in 1966’s feature film lacks the muscle definition played up prominently in more recent film releases, like 2005’s “Batman Begins” with Christian Bale. The increased body size extends to action figures: the
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down in LA jumping right into rehearsals,” Marzano said. “We were really excited and nervous about it.” Immediately after hearing they were one of the finalists, PLUtonic members had to make arrangements to travel to Hollywood. “It was really nerve-racking to think that in two weeks we would be in Hollywood with cameras in our faces with America judging us,” Marzano said. Senior Phillip Serino, another PLUtonic member studying music composition, said it wasn’t the stage that gave him the jitters
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it’s his stage the Hawks will stand on. Dilts is the CEO and founding partner of Pyramid Staging & Events, LLC, a multimillion-dollar organization that works with big-name clients such as Starbucks and Microsoft; on PLU events including Commencement, LollaPLUza and the Karen Hille Phillips Center dedication; and on hugely high-profile events including Bumbershoot, the Sasquatch Music Festival—and a ton of Seahawks stuff. Dilts said his company has provided staging, roof systems, lighting and more
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discussed.” Lovrovich added that, like many past MediaLab projects, the ultimate goal is to spark conversations well beyond the Pacific Northwest. “We hope that our audience will not only learn about the communities and issues we highlighted,” said Lovrovich, “but also reflect on and start a dialogue within their own communities.” In addition to the four primary filmmakers, the production team included music major Dalton Rouse ’18 — who composed the project’s score — and narrator Jonathan Spielmann ’18
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to serve on a special panel. Funds would also go toward an in-person breakfast and trophies. Learn more: DataFest Read Previous Music professor Gina Gillie discussed her new composition and short film Read Next PLU’s culturally sustaining STEM program helped prepare Becca Anderson to be a dynamic teacher COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS Three students
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affirmed my motivation to go after a chemistry Ph.D. It solidified my interest in chemistry research and gave me an insight into the day-to-day work-life balance of a chemist. Also, this program has provided me with opportunities to talk to graduate mentors and other professionals within this field. Allowing me to have more connections moving forward,” concluded Smith. Read Previous PLU music major Jack Burrows awarded first place at national singing competition Read Next Chris Holland ’24 balances
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language: how teaching music in rural Namibia was a life-changing experience for Jessa Delos Reyes ’24 Read Next Cece Chan ’24 elevates the experience of Hmong Farmers and their rich history with Seattle’s Pike Place Market COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS Three students share how scholarships support them in their pursuit to make the world better than how they
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can be applied to many areas of social life and policy.Tell me about your experience as a non-degree-seeking music student. That was the first time I ever sang in choir [after voice lessons in high school]. I was in chorale. This year, I’m ending my time at PLU as a member of Choir of the West. How did serving as a Wild Hope Fellow affect you? It changed the way I view my engagement with the world. It gave me tools for vocational discernment and helped me clarify a lot of things. The reason why
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Program ‘s emphasis on language “stuck with [him] forever.” “I have a lot of my Shakespeare education in my head all the time (while writing music and lyrics),” Huertas said. “Would this character stick to a meter?” he recalled often asking himself while writing Lizard Boy . “Would he rhyme if he had this in his head?” (Photo: Justin Huertas/Lizard Boy) The poster for the production of Lizard Boy. +Enlarge Photo “How does this language inform what the characters are going through? That’s something
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