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make the piece challenging. Clapp and Stage Designer Amanda Sweger have to portray many places on a budget and remain true to the production. “This play is for everyone, young and old alike. If you like a good love story where you know what is going on before the young lovers do… this is for you,” Clapp says. Performances are May 13, 14, 20, and 21, at 7:30pm and May 22, at 2pm. Join us Thursday, May 12 for a student preview, where any student ID will grant free admission. For tickets, visit the

honored at the national conference level through selection and performance at the Kennedy Center in Washington DC. The six PLU students who will perform GIRL POOL in the upcoming Dance 2018: Storytelling performance make up the fourth cast of dancers in the history of the dance piece. Read Previous The party has just begun with Theatre’s production, Love’s Labour’s Lost Read Next PLU Theatre focuses on growth in upcoming Shape of Things LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the

advances in health and medicine, 4(6), 44–50. https://doi.org/10.7453/gahmj.2015.056 Panelists: Eamonn Baker Video interview with Eamon Baker who gives an account of his experience on Bloody Sunday (January 30, 1972); the impact this had on his time at Queen’s University, Belfast; and his experience working with young people on the issue of community relations. Elena Calderón UndocuJoy blog by Elena Calderón, “a former undocumented girl experiencing joy.” Maureen Hetherington Video of speech by Maureen

PLU Digs into the Merits of Meat Posted by: Todd / October 1, 2014 October 1, 2014 What goes into the production of a quarter pound burger? According to J.L. Capper in The Journal of Animal Science, 6.7 pounds of feed, 52.8 gallons of drinking water, 74.5 square feet of grazing, and the equivalent amount of energy it takes to run a microwave for 18 minutes. The average American eats approximately 271 pounds of meat a year—or three, quarter pounder burgers a day. Meat is a tasty part of culture

granted creative control. “Usually Kathy picks the designs and fabrics, but I have undertaken projects where there were no designs or fabrics,” Schultz said. This really comes down to the scale of the production. Costumes for ‘Macbeth’ hang ready for rehearsals … and then the real performances. For Macbeth, Anderson has optioned dark tones. “There’s lots of blood, lots of killing, but there needs to be some light moments as well,” she says, smiling. “She’s really come alive in this new space,” Schultz

develop skills in decision-making, analysis, communication and reasoning that prepare them for a lifetime of success – both in their careers and in service to others. Read Previous You’ll love “She Loves Me” Read Next Student production disrupts time in new Romeo and Juliet LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for

audiophile. So, during his senior year when he was taking an audio production class, he found himself thinking that he’d like to learn more about it. It didn’t matter that it didn’t have anything to do with his major. More >> Paris Cochran ’13 Major: Environmental Studies and Hispanic Studies Internship: HELPS International (Oaxaca, Mexico) Every student who participates in PLU’s Gateway study-away program in Oaxaca, Mexico, has to participate in a four-week internship. In Paris Cochran’s case, she was

Salem, Ore., the last weekend of February. Read Previous Student-Director Mitchell Helton Hopes ‘Charlotte’s Web’ Production will help Revitalize Children’s Theatre at PLU Read Next PLU Alumna and Gospel Music Superstar Returns to Campus COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS Three students share how scholarships support them in their pursuit to make the world

granted creative control. “Usually Kathy picks the designs and fabrics, but I have undertaken projects where there were no designs or fabrics,” Schultz said. This really comes down to the scale of the production. Costumes for ‘Macbeth’ hang ready for rehearsals … and then the real performances. For Macbeth, Anderson has optioned dark tones. “There’s lots of blood, lots of killing, but there needs to be some light moments as well,” she says, smiling. “She’s really come alive in this new space,” Schultz

develop skills in decision-making, analysis, communication and reasoning that prepare them for a lifetime of success – both in their careers and in service to others. Read Previous You’ll love “She Loves Me” Read Next Student production disrupts time in new Romeo and Juliet LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for