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Indigenous studies Nordic literature and film Responsibilities Council Member, Native American and Indigenous Studies Association (NAISA). 2017 to present. Selected Presentations Native American and Indigenous Studies Association, These songs of freedom: Matti Aikio, Aagot Vinterbo-Hohr and the aesthetics of Sámi literary survivance, University of Hawai'i, Manoa (May 2016) Society for the Advancement of Scandinavian Study, Unraveling the Master’s Voice: Matti Aikio’s Subversive Turn, New Orleans (May
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, Carnival is a celebration of survival and resilience against the oppressions of slavery and colonialism as well as a celebration of life and art. Every year Carnival is somewhat different as it responds to changing aesthetics, changing ideas, and world events that form the topics for the famous Calypso songs. Students in this J-term course spend time visiting rehearsals of steel bands, talking to both teachers and performers of calypso, and meeting with other community leaders involved with the
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., his epistemology, political and social philosophy, aesthetics, and his philosophy of nature.” Dr. Arnold taught courses at the University of Washington Tacoma before coming to PLU. These courses included: Environmental Ethics, Ethics in Society, and Introduction to Philosophy. In the past at PLU, Dr. Arnold has taught two courses: Philosophy of Love and Sex, and Women and Philosophy. During Fall 2017 at PLU, Dr. Arnold is teaching Business Ethics. Dr. Arnold became interested in philosophy as an
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COMA 322, ENGL 312. (4) PPAP 321 : The Art of the Book I - CX This studio course explores the history, aesthetics, and creative dimensions of book design and typography. Prerequisite: Declared PPA minor or permission of instructor. Cross-listed with ARTD 315, ENGL 313. (4) PPAP 322 : The Art of the Book II - CX Individual projects to explore further typography and fine bookmaking. Prerequisite: PPAP 321 / ARTD 315 / ENGL 313 with a B grade or better or permission of instructor. Cross-listed with
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name may be unknown, and there may not be enough visual evidence to identify this individual’s hand. African artists may differentiate their authorship through their style, personal àṣà. Artists will also specialize in specific sculptural forms, which becomes another way to recognize the authorship of a piece. To learn the skill of differentiating the authorship of a piece, one must train with elders who are experts in the traditional artistic procedures and desirable aesthetics. Essentially
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Hammerstrom Papers: Social Reference Theory: Exploration of a New Sociological Perspective Jie Zhang, SUNY Buffalo State The Nomenclature and Spread of Chinese Medicine Dahuang Dongyu Yang, Shaanxi Normal University The Concept of No Birth in Mahayana Buddhism: Perspectives from Buddhist Philosophy and Buddhist Theology Bill Chu, University of North Carolina at Charlotte Zen Aesthetics: A Successful Fusion of Buddhism and Chinese Thought – The Contributions of Wei-Jin Metaphysical Interpretation Yonggang
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by the specific title designated by the student. (1 to 4) ARTD 310 : Graphic Design 3 Design and execution of printed materials; emphasis on technical procedures and problems in mass communication. Prerequisite: ARTD 210 or consent of instructor. (4) ARTD 315 : The Art of the Book I - CX This studio course explores the history, aesthetics and creative dimensions of book design and typography. Prerequisite: Declared PPA minor or permission of instructor. Cross-listed with PPAP 321, ENGL 313. (4
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perspectives to examine issues such as socialization and stereotypes, relationships and sexuality, interpersonal and institutional violence, revolution and social change in the U.S. and in other selected international contexts.IHON 257: Aesthetics and Politics of the British ‘Postcolonial’ NovelThe British Empire changed its subject peoples, but those peoples ended up also changing Britain and the British themselves. However, the complexity of these changes is not always visible through analytic
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- CX This studio course explores the history, aesthetics, and creative dimensions of book design and typography. Prerequisites: Declared PPA minor or permission of instructor. Cross-listed with PPAP321, ARTD 315. (4) ENGL 314 : The Art of the Book II - CX Individual projects to explore further typography and fine bookmaking. Prerequisite: PPAP 321 / ARTD 315 / ENGL 313 with a B grade or better or permission of instructor. Cross-listed with PPAP 322. (4) ENGL 320 : Intermediate Creative Nonfiction
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junior year. (4) ENGL 311 : The Book in Society A critical study of the history of book culture and the role of books in modern society. Cross-listed with PPAP 301, COMA 321. (4) ENGL 312 : Publishing Procedures A workshop introduction to the world of book publishing, involving students in decisions about what to publish and how to produce it. Cross-listed with PPAP 302, COMA 322. (4) ENGL 313 : The Art of the Book I - CX This studio course explores the history, aesthetics, and creative dimensions of
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