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email Theatre and Dance Chair Professor Amanda Sweger. Specific information about each production and its audition requirements may be found on the Sign-up link on the left-hand menu on the Theatre and Dance Sakai site. In general, auditions for plays usually require a memorized 60-second monologue and musicals and musical revues usually require 32-bars of a song, preferably a song from a musical. Dance auditions usually require learning a combination at the audition or presenting a brief (30-60
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Upcoming Student Series Production, Blood Wedding Theater opens the Spring semester with their student series performance, Blood Wedding. The show is presented by Alpha Psi Omega, the Theatre Honor Society at PLU. In this poetic tragedy, an arranged country marriage between the children of two rich, landowning families is endangered by… February 22, 2019 Alpha Psi OmegaTheatre
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Upcoming Student Series Production, Blood Wedding Theater opens the Spring semester with their student series performance, Blood Wedding. The show is presented by Alpha Psi Omega, the Theatre Honor Society at PLU. In this poetic tragedy, an arranged country marriage between the children of two rich, landowning families is endangered by… February 22, 2019 Alpha Psi OmegaTheatre
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About opera at PLUPLU Opera offers two productions per academic year – a complete main stage opera with orchestra and an opera scenes program with piano in alternating semesters. Members participate in all facets of production, including set and costume design, staging and performance. The full productions are planned in a three-year cycle that includes early music, standard repertoire, and 20th/21st century. Recent productions have included Mozart’s The Magic Flute, Monteverdi’s L’Orfeo
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Fences becomes the first theater production directed by a student of color. 2018Tacoma Pride FestivalThe Diversity Center and Marketing and Communications partner to participate in the Tacoma Pride Festival. New deanPLU establishes and fills the position of Dean of Inclusive Excellence. 2017FencesFences becomes the first theater production directed by a student of color. Multi-FaithMulti-Faith Mediation and Prayer space is established in Anderson University Center. Hawai’iThe Diversity Center
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Student Sings way to Seattle Opera Posted by: Mandi LeCompte / March 11, 2013 March 11, 2013 You may have seen him tearing up the stage in Lagerquist Hall or starting an impromptu concert in the UC. Maybe you recognized him from America’s Got Talent “YouTube Acts Compete.” Or, if you were in Seattle last weekend, you may have seen the young bright-eyed face on stage at Seattle Opera’s production of La Boheme. John Marzano ’13, who has been singing for just about as long as he can remember
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.” The APO mainstage show is the only student production aside from Night of Musical Theatre that is produced on the mainstage. Students submit production proposals the spring prior. The theatre faculty and the APO council make the final decision on what is chosen for the mainstage show. Working in the new Center is a one-of-a-kind learning opportunity for students. “That period was a stressful time for all of us – they had a lot of questions about the production and how I planned to pull it off
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weeks, PLU junior Corbitt, along with the cast and crew of “The Skin of Our Teeth,” have been busy rehearsing for four hours almost every day. During her first year at PLU, Corbitt was involved in every single production of the first semester. More recently, however, she has taken a directing course and served as a stage manager. “I was involved in the theater program in high school,” Corbitt said, “And I really admired the choices in the productions of the university. I think that’s what drew me to
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.” The APO mainstage show is the only student production aside from Night of Musical Theatre that is produced on the mainstage. Students submit production proposals the spring prior. The theatre faculty and the APO council make the final decision on what is chosen for the mainstage show. Working in the new Center is a one-of-a-kind learning opportunity for students. “That period was a stressful time for all of us – they had a lot of questions about the production and how I planned to pull it off
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Center for the Performing Arts. PLU’s production steers away from the biblical vision of the gospel and instead focuses on a story that centers around community, a central theme of PLU’s mission. “When it came time to decide what elements of this musical we wanted to bring out, Jeff Clapp and I could think of no better way to connect with the people around us than to craft a show about community,” Co-director Jacob Viramontes ‘17 remarked. “There is no better time to do this play other than right now
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