Search

by Dr. Jennifer Smith with students from her International Honors 253: Gender and Sexuality course and women in the Therapeutic Community (TC) at the Washington Corrections Center for Women (WCCW). Together they applied theoretical texts to design and execute a long-term project that examines and reflects upon the boundaries and connections between universities & prisons as well as the general population and people who are incarcerated. The Parkland Tour ProjectThe Parkland Tour ProjectDeveloped

written only by women of color. Discussion themes included marriage, intimate relationship, family, body, and sexuality and empowerment. The inspiration for the course came from the success of PLU community watch parties and discussions based around “Lemonade” and the 2016 album “A Seat at the Table” by Beyoncé’s sister, Solange Knowles. “Because we’ve seen these discussions done well with a lot of interesting conversations especially surrounding black feminism,” Taiwo said, “we decided to create a

the feeling of being from a place, but not necessarily of that place. She shares how her experiences interacted with her navigation of her own identity both personally and globally. Giovanna Urdangarain’s research looks at the ways in which countries in the Southern Cone of Latin America experience dictatorships, and the narratives of women that arise out of those circumstances. She speaks to her experience of returning to her home country of Uruguay first to teach through the Peace Corps, then

where six women gather and lead the audience through both good and bad life events of the next three years. Audience members may have seen the film adaption starring Julia Roberts, Sally Field and Dolly Parton, which was produced in 1989. “This play is well known and cherished by American audiences, “ Director Lori Lee Wallace says. “I think the challenge of producing this play is breathing fresh life into it in order to give the audience a unique experience.” Staging the play in the Studio Theater

century, being interpreted as a nuanced and sympathetic portrayal of Medea’s struggle to take charge of her own life in a male-dominated world. Not only is Media a women, but also a foreigner. Deep questions regarding what property is, a women’s place in society, infidelity and the rights of children abound. On the surface, one could argue that it is a play about divorce, but in reality, it is dealing with power. Who has it, how is it wielded and what are the consequences.Jeff Clapp, Associate

women had to write an essay on the importance of cultural diversity in their lives, and each practiced for a month to sing the traditional Sankta Lucia song in Swedish. Kane will receive a $500 scholarship for being chosen as the Lucia. The Sankta Lucia festival was introduced by PLU in 1951 by Rev. E Arthur Larson. To start the tradition here, Larson send a white-robed student to wake up members of his Swedish language class one December morning. The Lucia legend began when Lucia was born to a

athletics director advisor to PLU SAAC. That’s why they decided on the Knight. More student groups joined in the discussion and the idea began to form, until it was approved by ASPLU at the end of last year. The PLU Knight made its first appearance during Welcome Week on campus and was on the sidelines cheering on Lutes at the Sept. 18 football game against Cal Lutheran at Sparks Stadium in Puyallup. Several students – men and women – will serve as the mascot and a PLU flag has been added to the Knight

they improve the health of the users by keeping smoke and particulates out of the kitchen. Cochran was the first American, and female student, to go into rural Oaxaca with HELPS. That was a big deal. Cochran had to earn the trust and respect of the people she was working with. “I was able to change their opinion about what Americans, and students, are capable of,” she said. The opportunity Cochran had to talk directly with the women in these communities and see, firsthand, the cultural importance

graduation, she worked as a research fellow at the National Institutes of Health in Bethesda, M.D., and returned to the University of Washington and Fred Hutchinson Cancer Research Center where she completed her residency and fellowship training. Specht was recruited to the faculty in 2006. She absolutely knows she’s found a right fit for her passion. “I work with talented, brilliant, and compassionate colleagues, and the women who fight this disease are truly inspirational.” Read how Dr. Greg Aune ’97

where six women gather and lead the audience through both good and bad life events of the next three years. Audience members may have seen the film adaption starring Julia Roberts, Sally Field and Dolly Parton, which was produced in 1989. “This play is well known and cherished by American audiences, “ Director Lori Lee Wallace says. “I think the challenge of producing this play is breathing fresh life into it in order to give the audience a unique experience.” Staging the play in the Studio Theater