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  • getting to know the people that live in the group homes,” Markuson said. “They bring a lot of joy to my life, and when we sit and talk and share stories, that’s what I love.” As a PLU student, Markuson worked as a Resident Assistant for three years; learned about social justice and racism; and took advantage of Study Away opportunities, traveling to New Zealand and Ecuador on J-Term trips and studying for a semester in Botswana. “For me, studying away was such a great opportunity to understand the

  • academic unit. (1 to 4) GNUR 498 : Capstone Seminar Focuses on the practical application of nursing knowledge by synthesizing core knowledge, competencies, professional values, and leadership skills in nursing situations as evidenced by completion of a scholarly project. (2) GNUR 523 : Roles of the Advanced Nurse Facilitates the development and transition into the advanced nursing roles through analysis of ethical, professional, social, and practice perspectives. (2) (2 credits didactic) GNUR 524

  • to copyright law, it is illegal to show any movie in a public setting (i.e. anywhere outside home). The issue is not whether you charge admission, but whether you show the movie in a public setting. The definition of a public showing of a movie, according to copyright law, is to “display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered.” It is fairly simple to obtain permission to

  • said. He notes that in addition to a strong School of Nursing, PLU also boasts exceptional programs in kinesiology, social work, marriage and family therapy and more. There’s potential to create ties among those programs, and to create new ones. “I want us to build on our strengths,” Belton said. “We can become the premier provider of health science education in the South Sound.” And, Belton adds, PLU’s mission as a liberal arts institution gives graduates more than technical and professional

  • on by his son, Scott, who has served as PLU’s head football coach since 2004 and has continued the Westering tradition of sportsmanship, camaraderie and winning football. (Photo: PLU Archives) Frosty Westering, 1980 +Enlarge Photo (Photo: PLU Archives) Scott Westering, 2014 +Enlarge Photo Zach Powers '10 Zach Powers '10 worked as PLU's media and content manager until April 2017. He holds a Master of Public Administration from The Evergreen State College and previously served as the director of

  • especially during the Portuguese Colonial period from 1920 to 1974. This had a major impact on their society and molded much of their art into what is seen today. The Makonde are an agrarian kin-based and matrilineal society. They adhere to an ancestrally based spirituality, despite pressures to convert religiously and adjust economically to the capitalist market. Their matrilineal social structure, meaning ancestry is traced through the female line, is rooted in their creation story, which speaks of the

  • during the Portuguese Colonial period from 1920 to 1974. This had a major impact on their society and molded much of their art into what is seen today. The Makonde are an agrarian kin-based and matrilineal society. They adhere to an ancestrally based spirituality, despite pressures to convert religiously and adjust economically to the capitalist market. Their matrilineal social structure, meaning ancestry is traced through the female line, is rooted in their creation story, which speaks of the first

  • during the Portuguese Colonial period from 1920 to 1974. This had a major impact on their society and molded much of their art into what is seen today. The Makonde are an agrarian kin-based and matrilineal society. They adhere to an ancestrally based spirituality, despite pressures to convert religiously and adjust economically to the capitalist market. Their matrilineal social structure, meaning ancestry is traced through the female line, is rooted in their creation story, which speaks of the first

  • during the Portuguese Colonial period from 1920 to 1974. This had a major impact on their society and molded much of their art into what is seen today. The Makonde are an agrarian kin-based and matrilineal society. They adhere to an ancestrally based spirituality, despite pressures to convert religiously and adjust economically to the capitalist market. Their matrilineal social structure, meaning ancestry is traced through the female line, is rooted in their creation story, which speaks of the first

  • during the Portuguese Colonial period from 1920 to 1974. This had a major impact on their society and molded much of their art into what is seen today. The Makonde are an agrarian kin-based and matrilineal society. They adhere to an ancestrally based spirituality, despite pressures to convert religiously and adjust economically to the capitalist market. Their matrilineal social structure, meaning ancestry is traced through the female line, is rooted in their creation story, which speaks of the first