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and moments of baroque and florid music. Britten pays attention to the Shakespearean play’s central theme: the madness of love. The plot follows that of the play, though Britten cut much of Act I and re-ordered scenes. Music tends to lengthen the duration of text, but anyone who knows the play will recognize the story. Jim Brown, vocal chair and director of A Midsummer Night’s Dream, is updating the opera to modern day Central Park in New York City- for a sort of “Shakespeare in the Park

May 9, 2008 ‘The holy cow’ moment As Clarice Swanson ’89 walks in the barn located on her family’s 400-acre Walla Walla cattle ranch, her mind isn’t on the hundred or so Herefords and Black Angus chewing on new grass just down the road. It’s on the tiny balls of grey striped fluff peeping at her feet. These turkey chicks, or poults, represent one of the few Unimproved Standard Bronze flocks on the West Coast. Even if the chicks or their parents didn’t have the shelter of a barn to escape the

finally, and most importantly, a college that was welcoming, academically challenging and http://www.youtube.com/watch?v=_IWyDbQ3SRU resonated with her Lutheran roots. When she stepped onto the campus of Pacific Lutheran University four years ago – all requirements were met in spades.”That was what really struck me here,” said Rudquist, 22, who doubled majored in both sociology and art history. “There’s a sense of community here.  I love the outdoorsy side. I love that it’s near Seattle. I liked the

. I came here intended to study exercise. It really changed my path being up here and working with these people.” But the Diversity Center hasn’t always been the resource for students that it is today. When the center began in 2001, it had a lot of programs that resembled Diversity 101, said Eva Johnson, Dean of Student Development and Director of Student Involvement and Leadership. The intent was for students to learn about different cultures and start conversations about diversity. “We spent a

Student. A Q&A session and book signing will follow her lecture.“Erin’s lecture speaks to the fundamental need of being seen, a necessary topic at a critical time,” said Wendy Gardiner, Ph.D., PLU’s Jollita Hyland Benson Endowed Chair in Elementary Education. “Less than 7 percent of children’s books published in recent years were written by authors of color. This is another area of invisibility that Erin’s work addresses–creating vivid characters, writing about  friendship, family, adventure, bravery

interview well. Before Manso could even shake his hand, his interviewer enthusiastically said to him: “Go Lutes!” The interviewer would be Manso’s future boss. And while the future boss hadn’t attend PLU, his wife had. In fact, the two had the same swim coach 15 years apart. In the two years he has been working at The Hutch, Manso has worked in four different areas of the lab, and he’s already been promoted. He is currently responsible for efficacy studies on the HIV vaccine trials conducted in the

arts community in Tacoma. The AMOCAT art award categories include art patron; community outreach by an organization; and community outreach by an individual, which Spring received. “It’s a surprise and an honor to receive the AMOCAT award,” Spring said. “Tacoma is such a strong, supportive place to be an artist and a teacher, and I’m constantly energized by the opportunities here.” Spring has brought the art of letterpress to Tacoma. As an undergraduate English major, she began setting cold type on

The Story Depends on the Teller: Book Arts in the Pacific Northwest opens March 9 Posted by: Mandi LeCompte / March 1, 2016 March 1, 2016 Some books are shipped from Amazon, others are found cataloged in libraries, under beds with lost socks, digitized in e-readers, collecting dust on shelves or housed on nightstands. Other books are labored over, crafted with care, written, printed, drawn, sculpted and bound with artist hands. As part of the 2016 SOAC Focus series on Storytelling, the

interacts with these families. The Diversity Center, which celebrates its 20th anniversary this year, is a place for people of all identities to feel safe and cared for. It’s been a special space for Lucas since before he even knew he was going to be a student at PLU. “I was doing a student tour and visited the campus and I went to the Diversity Center. There I met Angie Hambrick, who was at the time its director, and she started getting me connected immediately.” His initial tour of the Diversity

that most professional screenwriters use. The focus of this course will be “Speculative Scripts,” intended to teach students how to create scripts based on original ideas. “I would love to be able to share with the PLU community how scripts get made, picked up and purchased,” Minter said. “There aren’t a lot of opportunities to work with professional screenwriters in this capacity.” Students from the video-production group, PLU Showrunners, say the course will be particularly beneficial for them