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capital projects will be fully funded, including the Karen Hille Phillips Center for Performing Arts and lower-campus athletic fields.   The Andersons, who came to PLU in 1992, say they are not retiring but are completing 20 years of service to the university and then moving on to new areas of professional focus and service. MaryAnn Anderson, 52, calls their decision, “a Wild Hope moment.” “We are living true to Mary Oliver’s line of poetry: ‘Tell me, what is it you plan to do with your one wild and

the presence of technology on stage carries in our centuries-old performance traditions. As a result, I’m inclined to connect the use of electronics in live performance to paradigms of technology in our lives, more broadly. Thus, in writing this piece for wind ensemble and electronics, I wanted to find ways that our echo chambers of tribalism might connect with the sonic origins of the term, and how growing presence in our socio-technological lives might be explored through musical storytelling

essentially pulled back into Tacoma to do what I was doing before, but on a professional level,” Lindhartsen said. In just the 30-year history of the individualized major, PLU students have designed degrees in digital media, Indigenous studies, global health, and environmental education. To do this, students draw from PLU courses and develop their expertise through extensive and rigorous conversations and planning with a committee of faculty who support and guide them. “You take courses from all around

linguistic philosopher Ludwig Wittgenstein spoke of “word games.” As Wittgenstein said, “Uttering a word is like striking a note on the keyboard of the imagination.” Language exists not simply to mirror passively some given world of objects. Imaginative language creates new meanings, defines new worlds. [3] Our own PLU poet laureate Rick Barot was interviewed recently by The Mast. Beauty was his initial inspiration, he said, but now his words strive with the conjunction of beauty and harsh reality. It is