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Nonfiction, Fiction | MFA in Creative Writing - Low Residency | Aram Mrjoian is the editor-in-chief of The Rumpus and a 2022 Creative Armenia-AGBU Fellow.
the hope that you will develop enduring strategies for maintaining your writing practice long after completing the program. Being a writer takes time, patience, and practice, there’s no universal formula for finding your voice and improving your craft. As you progress, my focus remains on process and revision, with the understanding that eventually you’ll likely have to negotiate your work’s intentions more directly with readers, editors, and critics. No matter your artistic and professional goals
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Nonfiction | MFA in Creative Writing - Low Residency | Barrie Jean Borich is the author of Apocalypse, Darling (2018), which was short-listed for a Lambda Literary Award.
arrive at the revelation of new understanding. Through study of creative nonfiction literary form and strategy we find new ways to uncover meaning and render actuality, which is why I ask students to analyze craft. Yet I no longer believe, as I did when I began teaching over twenty years ago, that my first job is to identify and repair flaws on your draft pages. Editing too soon is futile. Writing is revision. Critique is suggestion. First I help you identify and re-identify the intention, voice and
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Visiting Instructor of Music, Strings, and Composition | Music | korine.fujiwara@plu.edu | 253-535-7602 | Montana native Korine Fujiwara is a founding member of the Carpe Diem String Quartet, a devoted and sought-after chamber musician and teacher, and a gifted composer and arranger. Ms.
influences, including classical, folk, jazz, and rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone
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Poetry | MFA in Creative Writing - Low Residency | Jennifer Elise Foerster is the author of three books of poetry, Leaving Tulsa (2013), Bright Raft in the Afterweather (2018), and The Maybe-Bird (2022), and served as the Associate Editor of When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. She is the recipient of a NEA Creative Writing Fellowship, a Lannan Foundation Writing Residency Fellowship, a Hermitage Artist Retreat Fellowship, and was a Wallace Stegner Fellow in Poetry at Stanford.
strengths and weaknesses both as points of departure. I don’t believe art is made by getting comfortable in a voice or style. If poetry is going to be a life-long endeavor, we must practice becoming comfortable with its surprises and its failures, and, most of all, being excited by its questions.”
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Fiction, Nonfiction, Poetry | MFA in Creative Writing - Low Residency | Rigoberto González is the author of four books of poetry, most recently Unpeopled Eden, which won the Lambda Literary Award and the Lenore Marshall Prize from the Academy of American Poets, and eleven books of prose, including Butterfly Boy: Memories of a Chicano Mariposa, which received the American Book Award from the Before Columbus Foundation.
shared and hopefully appreciated. Writing bears the responsibility to appeal to the linguistic, intellectual and/or emotional pleasures, and to expand the reader’s understanding of the powers and politics of voice, knowledge, and/or identity. I also take mentorship seriously, and my role as an instructor is to motivate and guide students to a place of creativity and reflection, where those students can build on their strengths and improve on their weaknesses. I believe the goal of interacting in a
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Poetry | MFA in Creative Writing - Low Residency | Kelli Russell Agodon is a bi/queer poet and editor from the Pacific Northwest.
Studdard. Mentor. Workshops and classes in poetry. Statement: Carolyn Kizer wrote in the foreword of On Poetry & Craft by Theodore Roethke that when another student was critical of something eccentric she had tried in her poem, Roethke said to the student: You want to be very careful when you criticize something like that, because it may be the hallmark of an emerging style. Kizer wrote, He knew that our eccentricities are our true voice. As a poet myself, this is something I keep in mind while
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Professor Emeritus of Physics | Department of Physics | starkovich@plu.edu | Steven P.
construction of the observatory, worked closely with students in assembling the dome and installing the telescope, and oversaw several undergraduate research projects. The observatory has been a valuable addition to the university’s astronomy curriculum and to its public outreach efforts through PLU’s annual Jazz Under the Stars concerts and through occasional events held in collaboration with the Tacoma Astronomical Society. Prior to becoming acting provost in 2009 and then provost in 2010, his university
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Professor Emeritus | Religion | oakmande@plu.edu | The Reverend Doctor Douglas E.
). During the 1990s, Oakman participated in archaeological excavations at Jotapata and Cana in Galilee. Oakman was born and reared in Iowa. He is an ordained minister on the roster of the Evangelical Lutheran Church in America, and served during the 1980s as an Associate Pastor in West Oakland, CA. He is a connoisseur of classical jazz, long-time railfan, and Ham radio operator with callsign AD7AV. He resides in Tacoma, WA with wife Deborah. Interests Ham radio Railroad history and operations Building
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Associate Professor of English | Department of English | solveig.robinson@plu.edu | 253-535-7241 | Dr.
Outrage': George Bentley, Robert Black, and the Condition of the Mid-List Author in Victorian Britain." Book History Vol. 10, 2007: "'At All Times Conspicuous as Art': Henry James, Margaret Oliphant, and Resistance to Decadence." Henry James Against the Aesthetic Movement 2006: "Expanding a 'Limited Orbit': Margaret Oliphant, Blackwood's Edinburgh Magazine, and the Development of a Critical Voice." Victorian Periodicals Review Vol. 38.2, 2005: "Of 'Haymakers' and 'City Artisans': The Chartist Poetics
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Associate Director of Choral Studies; Assistant Professor of Music | Music | domingr@plu.edu | 253-535-7613 | Raul Dominguez is the Associate Director of Choral Studies at Pacific Lutheran University (PLU) in the Tacoma, WA area where he leads their University Chorale, University Singers, and teaches courses in Secondary Methods and the Conducting sequence.
sequence. He is also the Associate Conductor for Choral Union, PLU’s community ensemble. His research focus is the choral music of the United Mexican States and seeks to provide choral directors the necessary means to create artful performances of this repertoire. Prior to PLU, he served as the Director of Choral Activities at Regis University, in Denver, CO, where he conducted the Regis University Singers, led the Voice Area, mentored music education students, and taught a Fine Arts course, Mexican
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