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University to continue their musical studies. Named as one of Strings Magazine’s “25 Contemporary Composers to Watch,” Korine has received multiple commissions including works for opera, chamber ensembles, chorus, concerti, and music for modern dance. Her works have been performed throughout the United States, Canada, Great Britain, Italy, The Netherlands, Switzerland, Spain, Australia, China, and Japan. Her musical language encompasses a wide range of influences, including classical, folk, jazz, and
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strengths and weaknesses both as points of departure. I don’t believe art is made by getting comfortable in a voice or style. If poetry is going to be a life-long endeavor, we must practice becoming comfortable with its surprises and its failures, and, most of all, being excited by its questions.”
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shared and hopefully appreciated. Writing bears the responsibility to appeal to the linguistic, intellectual and/or emotional pleasures, and to expand the reader’s understanding of the powers and politics of voice, knowledge, and/or identity. I also take mentorship seriously, and my role as an instructor is to motivate and guide students to a place of creativity and reflection, where those students can build on their strengths and improve on their weaknesses. I believe the goal of interacting in a
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Studdard. Mentor. Workshops and classes in poetry. Statement: Carolyn Kizer wrote in the foreword of On Poetry & Craft by Theodore Roethke that when another student was critical of something eccentric she had tried in her poem, Roethke said to the student: You want to be very careful when you criticize something like that, because it may be the hallmark of an emerging style. Kizer wrote, He knew that our eccentricities are our true voice. As a poet myself, this is something I keep in mind while
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construction of the observatory, worked closely with students in assembling the dome and installing the telescope, and oversaw several undergraduate research projects. The observatory has been a valuable addition to the university’s astronomy curriculum and to its public outreach efforts through PLU’s annual Jazz Under the Stars concerts and through occasional events held in collaboration with the Tacoma Astronomical Society. Prior to becoming acting provost in 2009 and then provost in 2010, his university
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). During the 1990s, Oakman participated in archaeological excavations at Jotapata and Cana in Galilee. Oakman was born and reared in Iowa. He is an ordained minister on the roster of the Evangelical Lutheran Church in America, and served during the 1980s as an Associate Pastor in West Oakland, CA. He is a connoisseur of classical jazz, long-time railfan, and Ham radio operator with callsign AD7AV. He resides in Tacoma, WA with wife Deborah. Interests Ham radio Railroad history and operations Building
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-Century Gender Studies Vol. 6.2, 2010: "'Sir, It is an Outrage': George Bentley, Robert Black, and the Condition of the Mid-List Author in Victorian Britain." Book History Vol. 10, 2007: "'At All Times Conspicuous as Art': Henry James, Margaret Oliphant, and Resistance to Decadence." Henry James Against the Aesthetic Movement 2006: "Expanding a 'Limited Orbit': Margaret Oliphant, Blackwood's Edinburgh Magazine, and the Development of a Critical Voice." Victorian Periodicals Review Vol. 38.2, 2005: "Of
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Indigenous studies Nordic literature and film Responsibilities Council Member, Native American and Indigenous Studies Association (NAISA). 2017 to present. Selected Presentations Native American and Indigenous Studies Association, These songs of freedom: Matti Aikio, Aagot Vinterbo-Hohr and the aesthetics of Sámi literary survivance, University of Hawai'i, Manoa (May 2016) Society for the Advancement of Scandinavian Study, Unraveling the Master’s Voice: Matti Aikio’s Subversive Turn, New Orleans (May
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pan” de Manane Rodríguez (Uruguay, 2016): memoria, mujeres y barbarie, co-organized by The University of Oregon, Portland State University, and Oregon State University Portland, OR (March 9-11, 2019) XXVIII Annual Meeting of the Association of Gender and Sexuality Studies (AEGS), Memoria(s) y saber(es): una aproximación a tres proyectos museísticos conosureños, Panel Giving Voice to the Voiceless through Narratives of Trauma and Healing, University of Illinois at Chicago (September 27-29, 2018
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pan” de Manane Rodríguez (Uruguay, 2016): memoria, mujeres y barbarie, co-organized by The University of Oregon, Portland State University, and Oregon State University Portland, OR (March 9-11, 2019) XXVIII Annual Meeting of the Association of Gender and Sexuality Studies (AEGS), Memoria(s) y saber(es): una aproximación a tres proyectos museísticos conosureños, Panel Giving Voice to the Voiceless through Narratives of Trauma and Healing, University of Illinois at Chicago (September 27-29, 2018
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