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environmental studies is relevant, geosciences contributes a lot of my knowledge on the subject, especially the use of natural resources, and religion informs so much of our political and social discourse that it really adds to my understanding and ability to talk about the subject to different people. I’m not entirely sure what’s next for me. This summer I’ll be attending a geological field school to get experience and round out my education. Tell us more about your latest religion capstone. My religion

silence of the rest of us, the silence of the rest of us who consider ourselves the good guys.” A communication professor at the University of Massachusetts, Jhally is one of the world’s leading scholars on the role advertising and popular culture play in the processes of social control and identity construction. At his talk, he said gender identity does not occur naturally; instead it’s learned from images in the media, from peers and family members, and people simply act out the culturally-accepted

Nursia Sustainability was necessary in order for these monastic communities to survive. But it also informed Benedictine spiritual practice: “The monks or the nuns would labor in the fields or in building or in fishing —where they sparked many innovations— and in prayer together. So those two: prayer —conversation with God— and labor in what they considered God’s creation went together: a prayer book in one hand and a hoe in the other. What we see in these communities is a form of Christian socialism

iconography on Aug. 14 at 5 p.m. in the gallery. She’ll discuss iconography as the “painting” of theology and explore its key artistic influences, figures and themes, as well as how icons are employed in Orthodox Christianity. Sievers’ work continues the centuries-old tradition of the Christian icon, a form with deep roots in the Byzantine and Orthodox Christian churches. Icons are the word of God in images, she explained. When “writing an icon,” iconographers must follow the canon of iconography

. In the Spring of 2020, Dr. Llewellyn Ihssen  was teaching two classes of Early Christian History. When the pandemic struck, Dr. Llewellyn Ihssen took her sixty students and moved them all to a distanced format immediately. Her main goals were to be in contact with students and to be extremely transparent during the entire process. This meant she took seriously the university’s concerns about what the pandemic would mean for classes, and gave her students plenty of warning before moving forward in

October 29, 2012 “Killer Drones: The Good, The Bad, and The Ugly” A screening of “Killer Drones: The Good, The Bad, and the Ugly” will take place at 7 p.m., Nov. 8 in the Scandinavian Cultural Center. The film will be followed by a short response by Pauline M. Kaurin, associate professor and chair of the PLU department of philosophy, with a discussion to follow. The film addresses the ethics of lethal drone warfare, presented by Bradley J. Strawser, assistant professor of philosophy at the