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they hope to develop this currently unused property into other art spaces. Their goal is to keep expanding and to one day be a self-sustaining business. Howell sees great things for the future. “He’s passionate, fearless, and energetic,” DeCrease said. “He’s optimistic with a good head for business and a really good heart.” Read Previous PLU named top producer of Fulbright by The Chronicle of Higher Education Read Next A recommitment to sustainability COMMENTS*Note: All comments are moderated If

depending on configuration – about half of Eastvold’s former capacity. By removing those extra seats, architects were able to create space for an orchestra pit, and greatly enhance the acoustics and the sightlines. The sound, lighting, rigging, and other technical infrastructure is state of the art. Phase II also includes many changes not related to theater. PLU’s cherished Tower Chapel is restored, renamed the Ness Family Chapel, thanks to a $2 million gift from Kaare and Sigrunn Ness, Arne Ness ’69

research interests include modern Jewish identity formation and political self-representations, 1881-1948; art, politics, and culture; the politics of religion in Mandate Palestine; perceptions of social deviance among Jewry from early modern times to the present; Jews and German culture; ties between charity and nationalism; and modes of understanding and misunderstanding the Holocaust. Holocaust Studies Program at PLU This past Spring, at the annual Powell and Heller Holocaust Conference it was

entrance to the chapel and an elevator to all floors. Other improvements in Phase II include renovations and the creation of 630 seats in the Eastvold Auditorium, an art gallery on the main lobby floor and fir veneer in the auditorium itself. Construction will begin in August and wrap up in 2013.   Last fall, the first phase of the Karen Hille Phillips Center for the Performing Arts was completed, with the addition of a studio theater and set construction shop on the same floor. “It’s going to be this

, chosen by Barbara Kingsolver for the Bellwether Prize. The Alaska Literary Series is edited by Peggy Shumaker. She is the founder of Boreal Books, an imprint of Red Hen Press, which publishes literature and fine art from Alaska. She was awarded a National Endowment for the Arts Fellowship in Poetry, and has served as poet-in residence at the Stadler Center for Poetry at Bucknell and as the president of the board of directors of the AWP. Professor emerita from University of Alaska Fairbanks, Shumaker

Cece Chan ’24 elevates the experience of Hmong Farmers and their rich history with Seattle’s Pike Place Market Posted by: mhines / May 20, 2024 Image: Cece Chan ’24 is a double major in communication and gender, sexuality, and race studies from Seattle. (photo by Sy Bean/PLU) May 20, 2024 By Nikki McCoyPLU Marketing & Communications Guest Writer For Cece Chan ’24, what began as a love of student advocacy and social justice in high school, has blossomed into activism through art at Pacific

benefit from using the OSF as our shared workspace. In the classroom, the OSF provides a platform for students to share their work easily and privately with their partner; they can also include the instructor or the public. The OSF is not limited to psychology, or sciences. My 16-year-old daughter is using the OSF to conduct her own independent art study by uploading a weekly activity and seeking feedback from mentors. She can even share her artwork with her grandparents just for their own enjoyment

decision challenges and ultimately drive growth for both profit and non-profit organizations. The program includes embedded industry client projects, company field trips, state of the art analytical techniques, and small cohorts. The courses and projects set students on the right track for a transition to the professional world.Learn more about PLU's MSMA programA cutting edge master’s degree for the modern business marketing professional.PLU’s first-class faculty provide a healthy balance of rigor and

theme of innovation is significant because it involves not being complacent and accepting the status quo in the world of dance. Innovation is the belief that it has not ‘all been done before’- there is new ground to cover in the art of communicating through dance, pushing through the comfort zone to try something new,” Winchester says. Winchester’s piece Home Movies engages modes of innovative storytelling, where imagination, improvisation and memory play an active role in the creative processes of

brings together SOAC’s talented students and faculty to examine a chosen theme through a multi-disciplinary approach. Through music, art, theatre and communication we will come together to explore the theme of Re-forming, as we celebrate the 500th Anniversary of the Reformation and honor the core tenets of Lutheran higher education – critical questioning, freedom for expression, foundation in the liberal arts, learning and research within community, intrinsic value of educating the whole person