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solace is found in the fictive Alice in Wonderland. Carson’s journey converges with a fantastical landscape enlivened by literary, film and cultural references that theatricalize the revolutionary science of Silent Spring. “As an artist and storyteller I am fascinated by the human need to escape reality through fairytales and familiar stories. Time and time again, individuals walk the yellow brick road, fly towards the second star to the right, push through the looking glass, and fall down the rabbit

be someone we can all relate to and cheer for,” Wee says. “Kids are clever, kids are smart, so theatre itself does not have to change much.” Although this is only the second children’s play produced at PLU in thirty years, Wee believes there’s an opportunity to make this both a popular and a thriving aspect of PLU’s theatre program. PLU’s new Artistic Director of Theatre Tom Smith has a background in children’s theatre. “I am a huge advocate of theatre for young audiences,” Smith says. “Children

moving and expression translated smoothly onto the stage,” Gienger said. “I am now a year into my dancing career and far more educated in the art, and I am still loving every second of it.” Dance minor-related classes can also fill in credits for students while fulfilling several fundamental aspects of their education at the same time. “I’ve seen how we’ve attracted so many students from different areas of study,” Winchester said. “Their diverse backgrounds and experiences they bring from their

much of my attention this year will be on research and writing, I am still developing my teaching and thinking ahead to the courses I’ll teach upon my return. This includes the second outing of my new History at the Movies class and I’m especially thrilled not to have to teach this one over Zoom again! I am also excited to be preparing a course (new to me), Hist 247: U.S. Capitalism. This course is a great opportunity for us to consider the changes and continuities in the development of capitalism

. (2019). Skin, tooth, and bone: The basis of movement is our people : a disability justice primer (Second edition.). Berkeley. (Link to purchase book) Wilson, Jan Doolittle. (2021). Becoming disabled: Forging a disability view of the world. Lexington Books. (PLU Library link) Attention economy and slowness Mattei, Clara E. (2022). The capital order : how economists invented austerity and paved the way to fascism. The University of Chicago Press. (PLU Library link) O’Connor, Brian. (2018). Idleness: A

history, the stories of people who were oppressed, needs to be recorded so that the things that happened to them don’t happen again.” Kishaba’s commitment to this project also has a personal element. Her own grandmother was imprisoned in Heart Mountain, a Japanese Internment Camp in Wyoming, during the second world war. She had the opportunity to visit Heart Mountain with her family, and it has inspired her own writing. “Once I wrote that essay about going to Heart Mountain, I couldn’t stop writing

.  It is the second year we finish without being able to run an in-person commencement to honor our graduates. This year required difficult work on the university budget and continuing tensions in national politics. So, the students and faculty of Humanities at PLU are relieved to have concluded spring ’21 and to move into the quieter pace of summer. We are relieved to look forward to a time when we can safely gather on campus, in person to continue learning and celebrate the great work our students

of this thesis begins with a review the last academic year, 2009-2010. We’ll focus on some of the highlights of what was a memorable year marked by economic challenge, program and personal achievements, significant scholarship, wonderful special events, and a whole array of institutional awards and recognition. Second, we’ll briefly turn our consideration to the 2010-2011 academic year. We’ll look at some of the most important initiatives that will provide shape and direction for our work as we

preparing to hold his second solo show with the Linda Hodges Gallery in November. But it wasn’t an accident that Mangan succeeded in living as a full-time artist; it took a lot of hard work, self-motivation and discipline; the road was not devoid of challenges. Where has life taken you since leaving PLU? Immediately after graduating from PLU I spent a year as a Fulbright Fellow in painting at the Academy of Fine Arts in Munich, Germany. Next was grad school, first at Central Washington University and

requires.” “We spent a lot of time researching literature experiments to gain familiarity with the reactions we planned to run. In my case, they rarely went according to plan, but I learned something each time, which helped guide me toward the next step.” "These lessons extend outside the lab, and this kind of continuous learning and reevaluation is helpful in both academic and professional contexts," stated Lemma. Professor Yakelis and Donnelly working together in open lab in Rieke Science Center