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  • experience. For example, he is currently turning his dissertation, entitled “Writing Out the Storm: Post-Traumatic Pedagogy and the Work of Composition,” into a series of articles that examine the role and value of schooled and non-schooled writing in the wake of large-scale disasters like Hurricane Katrina. This research, conducted in New Orleans between 2008 and 2010, gathers together first-hand accounts by writing teachers and classroom materials archived after the storm as a means for considering why

  •  Mgmt. Scoring/Composition VideographyFor-Profts$150 per class hour $150 per class hour $150 per class hour $150 per class hour $150 per class hour $150 per class hour $150 per class hour $1,000 per finished minuteNon-Profits$75 per class hour $75 per class hour $75 per class hour $75 per class hour $75 per class hour $75 per class hour $75 per class hour $75 per class hour

  • Mass for a New Millennium Choir of the West – Richard Sparks, Conductor Order CDfrom Garfield Book Company at PLUThis album was made in celebration of the new millennium. We are pleased to present the premiere recording, and title piece, Mass for a New Millennium an original composition by PLU’s own Dr. Richard Nance.   Compact Disc – 2000 PLU Multimedia Recordings — Pacific Lutheran UniversityProgram TrackTitleComposerLength 1Pater NosterJavier Busto3:44 2In This Very RoomRon and Carol Harris4

  • New Faculty 3320 Jennifer Rhyne wins national search for assistant professor of music and music theory position Mandi LeCompte October 31, 2016 New Faculty 332 Views Read more

  • Read Next Greg Youtz: Composing for the cannery – of boxcars, rhinos, and grapes LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5

  • down in LA jumping right into rehearsals,” Marzano said. “We were really excited and nervous about it.” Immediately after hearing they were one of the finalists, PLUtonic members had to make arrangements to travel to Hollywood. “It was really nerve-racking to think that in two weeks we would be in Hollywood with cameras in our faces with America judging us,” Marzano said. Senior Phillip Serino, another PLUtonic member studying music composition, said it wasn’t the stage that gave him the jitters

  • to serve on a special panel. Funds would also go toward an in-person breakfast and trophies. Learn more: DataFest Read Previous Music professor Gina Gillie discussed her new composition and short film Read Next PLU’s culturally sustaining STEM program helped prepare Becca Anderson to be a dynamic teacher COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS PLU College of

  • Minor in Hispanic Studies 20 semester hours beyond HISP 102, including: Language and Composition 4-12 semester hours of Spanish language and critical writing for second language or heritage learners. Students with prior background in Spanish should consult the Language Placement Guide for a recommendation on the appropriate level to start their studies. HISP 201 (4) HISP 202 or 252 (4) HISP 301 or 351 (4) Introduction to Literary and Cultural Studies 4 semester hours HISP 325: Introduction to

  • heritage of the Pacific Northwest to create commercial printing products.” Another notable item in the collection is the iron Washington Hand Press, produced by Samuel Rust in 1821. It was restored by WCP’s curator, John DeNure, and local letterpress expert and wood engraver, Carl Montford. It was the last style of hand press made in the United States. Another prize of the collection includes a bevy of ornaments and borders used in composition. The collection features an assortment of “catchwords

  • (concerto, etude, selection of orchestral excerpts). Performance quality must be at a level befitting public performance. All major and minor scales (all three forms) and arpeggios in 2 octaves(jury committee will pick 2 or 3 for you to play). Two-octave chromatic scale beginning on any note. COMPOSITION BM Performance in primary medium (this replaces the semester jury for this term). Presentation of: A significant composition or compositions that demonstrate the student’s current abilities and their