Page 475 • (5,209 results in 0.033 seconds)

  • September 27, 2024 PLU hosts the 14th Annual Lutheran Studies Conference: Celebrating Cecelia Svinth Carpenter, Indigenous education and tribal sovereignty September 23, 2024 PLU Welcomes the Class of 2028: Trailblazers September 11, 2024 Ethos in Action September 11, 2024

  • service September 27, 2024 PLU hosts the 14th Annual Lutheran Studies Conference: Celebrating Cecelia Svinth Carpenter, Indigenous education and tribal sovereignty September 23, 2024 PLU Welcomes the Class of 2028: Trailblazers September 11, 2024 Ethos in Action September 11, 2024

  • requirements Rank in the top 35% of their graduating class; Completed 1/2 of the nursing curriculum; Maintained a cumulative GPA of a minimum of 3.0 out of 4.0 Meet the expectation of academic integrity. SIGMA Graduate student eligibility requirements Completed one quarter (25%) of the graduate nursing program; Maintained a cumulative GPA of 3.5 out of 4.0; Meet the expectation of academic integrity. Center for Continued Nursing Learning (CCNL) The PLU SoN is an approved provider of nursing continuing

  • teaching Caribbean literature and history.  Altogether, we have 34 students, plus staff assistance from PLU Head Baker Erica Fickeisen for the first week; Dr. Miller’s Assistant, Julie Paulsen, for the second week; and PLU Director of Dining and Culinary Services Erin McGinnis for the third week.  Most of our class time is spent in separate classrooms in the conference center of the ship, but we gather both classes the night before each new port of call for “Port Reports”:  the literature students

  • at HomecomingEndowed by the class of 1958, these events bring alumni back to campus to talk about vocation with current students. A different academic division is celebrated each year. At the Meant to Live lecture, a distinguished alumnus returns to campus to describe their vocational journey to fellow alums, current PLU students and friends of the University. These events give alumni the chance to mentor current students, and help students begin to think of vocational exploration as a lifelong

  • Commencement 2018: Lutes wrap up the lasts, look to the firsts as they prepare for life after graduation TACOMA, WASH. (May 22, 2018) — It’s official. The Class of 2018 at Pacific Lutheran University is wrapping up the final list of “lasts.” There are the lasts that students (soon to be alumni) are likely happy to bid farewell: the last final, the last… May 22, 2018 Alumni, Internships, CareerEvents, Performances, AthleticsStudent Life, Resources, Community

  • On the Court and in the Classroom: A Brother and Sister Find Success at PLU On the day of high school class choices, a middle school teacher noticed the normally outgoing Jackson Reisner sitting quietly, acting withdrawn. Jackson grew increasingly anxious as the morning progressed. A movie buff, the Burlington eighth grader had seen all the difficult depictions of high… February 24, 2023 Student Life, Resources, Community

  • Olympian and advocate Elana Meyers Taylor to deliver PLU Commencement address Pacific Lutheran University will welcome Elana Meyers Taylor to the Tacoma Dome on Saturday, May 27 to deliver a Commencement address to the university’s graduating class. Meyers Taylor will share reflections inspired by her historic career as the most decorated Black athlete in Winter Olympics… April 25, 2023 Events, Performances, Athletics

  • developed the groups social media at high levels of interaction, and developed and promoted the enormously successful events during Black History Month last year at PLU. Laura Hillis: BA in Anthropology & Global Studies Laura has the honor of being the first non-SOAC major or minor ever to receive the Dean’s Award. Laura was recommended for this award as one of the “finest student violinists” ever at PLU. Laura has performed a solo recital every year while at PLU – including the fall semester prior to

  • than the use of he face masks. When, in this male dominated part of Makonde culture, the men wear these masks, they take on not only their own identity – a man in a mask – but also the dramatic depiction of a character and the incarnation of an ancestral spirit. Men make the masks in secret and talk of them in public is prohibited in order to maintain the separation between reality and the spiritual realm of the mapiko. As a masculine artistic medium, mapiko deals with matters of gender and social