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like that. I can do it like that,” or, “You can do it like that. (But) I can do it better than that.” My hope is always that it’s that they want to be better than I am. Amy Young: I think that’s a little bit of bravery. Be brave enough to fail. We ask big enough questions on this campus which should have big enough failures. Jp Avila: There is a movie I saw on Netflix once called Art & Copy. Amy Young: I’ve never seen that film. Jp Avila: It’s about the advertising world. They interviewed, I think

October 1, 2011 New MediaLab film explains “Compassion Fatigue” and impact on aid workers Three PLU student filmmakers spent more than a year researching the cumulative effects of tragedy and trauma, which will soon be unveiled in a new documentary – “Overexposed: The Cost of Compassion.” The documentary focuses on the idea that there is a human toll associated with The new documentary from MediaLab, “Overexposed: The Cost of Compassion,” examines and defines “compassion fatigue.” repeated

lanthanides. Target synthesis and fabrication, including thin films and nanowires. Target characterization using techniques including: SEM, TEM, EDS, and ICP-MS. Designing and executing experiments to optimize unit process steps, device structures, process integration, and automation of the isotope production technology. Analyses and interpreting of experimental data and development of predictive computer models. Qualifications: Candidates should currently be pursuing or recently have completed a

November 12, 2012 “The Other Side of Immigration” examines the impact migration has on the families that stay behind. “The Other Side of Immigration” By Katie Baumann ’14 PLU welcomed Roy Germano to campus this fall as part of the 2012 Department of Language and Literature Film Festival Series, to show his documentary, ‘The Other Side of Immigration.” This film explores why so many Mexicans leave their homes to migrate to the United States and explores another side of the issues surrounding

“You assume just because I hate something I don’t want to do it?” Posted by: ramosam / September 12, 2022 September 12, 2022 By Madeline Scully Following Katherine Voyles’ insightful essay about why nobody can seem to agree on what the 2022 adaptation of Persuasion is supposed to do, this essay explores another question: why do we all keep watching Austen film adaptations, even when we don’t like them? The first filmed Austen adaptation was released in 1938, with a television movie of Pride and

stories of resilience, hard work and community in their journey to house single mothers and their families. The film project was directed and produced by students Emily Groseclose, Ben Leschensky, Brennan LaBrie, Seley Nemish, Hallie Harper and Raven Lirio. PLU Communication Department faculty member Dr. Kate Hoyt is the documentary advisor for the team and directs MediaLab. The team began interviews during February 2021 and collected additional footage and interviews during March. The film dives into

video using scraps of story lines from the Godfather and the Mario brothers to hold for “ransom” a favored stuffed toy of Matt’s called “toad.” Or something like that. These guys have a tendency to talk over each other in the telling the story, as they gathered last week for a mini-reunion of sorts on the PLU campus. They had so much fun making the film, when again, they should have been studying for their classics or engineering finals, they made a film – Demon Hunters (think Buffy meets Monte

Amanda Brasgalla ‘15, Taylor Lunka ‘15 and Olivia Ash ’15, who are all graduating this May. Senior Art and Graphic Design major Taylor Cox ’15 and junior Communication major Evan Heringer ’16 also assisted with the post-production of the film. “We put a lot time and effort into this film, so we are thrilled that we get to share this with the PLU community,” Lunka said. The team spent more than a year researching the topic of food waste and traveled across the United States, Canada and even into the

Documentary Screening and Filmmaker Discussion to Explore Honduran Coup Aftermath Posted by: Zach Powers / November 4, 2015 Image: Director Jesse Freeston filming in Bajo Aguán, Honduras. (Photo by Armando Estrada) November 4, 2015 By Zach Powers '10PLU Marketing & CommunicationsTACOMA, WASH. (Nov. 4, 2015)- After screenings and film festivals and cinemas throughout the world, the acclaimed documentary ``Resistencia: The Fight for The Aguan Valley`` will be screening at Pacific Lutheran

Emmy-Nominated Documentary Screened for Powell-Heller Holocaust Conference Posted by: Zach Powers / March 5, 2015 Image: Filmmaker Steven Pressman at the Powell-Heller Conference for Holocaust Education at Pacific Lutheran University (Photo: John Froschauer/PLU) March 5, 2015 By Evan Heringer '16PLU Marketing & CommunicationsTACOMA, Wash. (March 5, 2015)- Writer and director Steven Pressman screened his Emmy-nominated documentary film, 50 Children: The Rescue Mission of Mr. & Mrs. Kraus, on