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September 29, 2008 The comic book final gets some respect as literature Harvard professor Hillary Chute took students and faculty alike into the world of graphic novels, from a woman’s point of view, last week. In a talk titled “Comics as Literature: Women’s Contemporary Graphic Narratives,” Chute spoke of how the issues in women’s lives, from significant others to sexual abuse, are explored in graphic novels, or narratives written on comic book form. Now teaching at Harvard University, Chute

heritage as both a classic Victorian ‘penny-dreadful’, and a contemporary morality play, the design team and I have chosen to embrace elements from both Victorian times and our own 2019 sensibilities. A period blouse, for example, might be paired with a contemporary denim jacket. Through this aesthetic, our intent is to create a world that straddles two time periods, yet feels unique to this production.” The production’s leading performers have been double-cast, to allow vocal rest due to an extremely

heritage as both a classic Victorian ‘penny-dreadful’, and a contemporary morality play, the design team and I have chosen to embrace elements from both Victorian times and our own 2019 sensibilities. A period blouse, for example, might be paired with a contemporary denim jacket. Through this aesthetic, our intent is to create a world that straddles two time periods, yet feels unique to this production.” The production’s leading performers have been double-cast, to allow vocal rest due to an extremely

Tegels, organ, and PLU’s Choir of the West directed by Richard Nance. The idea of perspective is explored through two compositional views of the Prodigal’s humility in his return: Debussy with piano, and Arthur Sullivan’s oratorio, performed with organ and Choir of the West. The two versions give the same perspective from different compositional voices. Jim Brown, director, explains the differences. “Sullivan (of Gilbert & Sullivan fame) is a real Victorian era compositional voice. There are moments

Stories from the Transformative Justice Movement, Tonguebreaker, Care Work: Dreaming Disability Justice, and Bodymap. They are a haggard porch and couch witch and a very unprofessional adaptive trike rider.” – from https://brownstargirl.org/about/ Featured Here: Care Work: Dreaming Disability Justice (ebook) Oscar Wilde was an Irish playwright, poet and author, who became one of the greatest celebrities of the late Victorian era, and was known for his biting wit and his dandified and sexually

my collections have a huge influence on what I do,” Keyes says. “If I were a writer, I’d have a large vocabulary. [My collection] is my vocabulary of shapes and images.” Keyes collects everything from folk art to Victorian architecture. “I like odd ball animals, warthogs, rhinos, things that probably should have died out long ago but fortunately haven’t. I like the human face; I like hands. But I would say most of my ideas come from collections and things I read about,” Keyes says. The two