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intentional about it,” he said. He wanted the logo to incorporate a few PLU specific elements. First, rather than the American Idol-esque purple they went with gold, and then green to highlight the Green Dot campaign that PLU is participating in and finally the Rose Window, which was recently refurbished and installed. Hebrew Idol is a video project for Religion 211 – Religion and Literature in the Hebrew Bible. Students produce their own interpretations of biblical stories, putting anything from a

exchange in Geneva, Switzerland. The J-Term structure allowed Maryn to get off campus and still be involved with other programs and groups at PLU like the Wind Ensemble and peer tutoring. “It all comes down to curiosity,” she said. “Do you want to see what’s out there?” Johnston certainly had the curiosity for many things – and it wasn’t limited to one discipline or another. She studied multilateral diplomacy and French in Geneva; environmental literature in Argentina and Antarctica. When she was in

April 6, 2014 New Series of Hebrew Idol Premieres—Your Vote Counts! By Shunying Wang ’15 The new PLU Hebrew Idol season is here, with another group of talented Lutes. And, just as with its inspiration, American Idol, it’s up to voters to determine the winner. Hebrew Idol is a microfilm competition series organized by Religion Professor Antonios Finitsis. Students in his introductory course on the Hebrew Bible—Religion and Literature of the Hebrew Bible—are required to apply their

Students crammed into PLU’s Studio Theatre on April 17 for the 2014 edition of PLU’s Hebrew Idol Live finale. Even the stairs and aisles were filled as the audience clapped, cheered and laughed its way through the event, hosted by Tommy Flanagan ’14 and organized by Religion Professor Antonios Finitsis. PLU Hebrew Idol reflects the knowledge students have gained in Finitsis’ introductory Religion and Literature of the Hebrew Bible course. Each year, students are required to apply their interpretations

accessible to all students,” PLU provost Joanna Gregson said. The ARTS committee’s findings indicated that standardized tests aren’t always the best way to measure student potential and capacity, and can reinforce inequities in access to higher education. Additionally, such tests don’t determine whether a prospective student will be a good fit for PLU — and can actually unintentionally filter out students. “We know from the literature that standardized test requirements pose a significant obstacle for

Wolf, New Voice in Chinese Women’s Literature Love in a Fallen City by Eileen Chang, translated by Karen S. Kingsbury Danish The Faces by Tove Ditlevsen, translated by Tiina Nunnally Dutch The Discomfort of Evening by Marieke Lucas Rijneveld, translated by Michele Hutchison French The Lover by Marguerite Duras, translated by Barbara Bray Persepolis by Marjane Satrapi Caribbean Writers A Season in Rihata by Maryse Conde, translated by Richard Philcox (Guadeloupe) Memory at Bay by Evelyne Trouillot

includes artifacts from all five Nordic countries (Denmark, Finland, Iceland, Norway and Sweden), is a testament to the connection and trust the Puget Sound’s Scandinavian American community shares with PLU. “The collection in the Scandinavian Cultural Center is a reflection of this (Scandinavian) community. They entrust us with precious family heirlooms,” Ward said. “Items have been donated to PLU since the late 1970s, many of them hundreds of years old.” The artifacts and literature housed by the SCC