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numerous conferences in the US and abroad, including papers given for the American Musicological Society national and regional meetings, the American Handel Society, the Society for Eighteenth-Century Music, the Georg-Friedrich-Handel Society (Hälle), the 14th Biennial International Baroque Conference (Belfast), and the Italian Vivaldi Institute (Venice). As a performer on piano, harpsichord, organ, violin, and viola, Dr. Lockey’s repertoire ranges from Medieval music to modern pop & rock, with a
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modern pop & rock, with a special interest in music of the Baroque period. He was co-director of the University of Victoria Collegium Musicum and served for eight years as director of the early music ensemble at Princeton University. He has accompanied and directed numerous operas and musical theater works, including organizing and directing the Western hemisphere premiere of highlights of Vivaldi’s Chinese-themed opera Teuzzone. In addition to recitals, he has given lecture-recitals and
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directed 83 productions, 60 of which have been at PLU. Auditions were held March 29 and 30, and rehearsals began the following weekend. Preparations for the entirely student-run production are in full-swing, and rehearsals are every Sunday-Thursday 6:30-10:30 p.m. The cast is 24 members strong and there are roughly 18 musical numbers performed and choreographed by students. “The music is really fun,” Clapp said. “There’s some really wonderful, poignant numbers.” Clapp said the music is modern and
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or English, for Languages and Literatures or International Core. Mark believes strongly that French literature has had a lasting impact on the world and strives to communicate its value to students, through deeply researched syllabi and lectures. Though they dread the mountains of reading he assigns, students appreciate Mark’s flexibility regarding deadlines and clemency in grading. A modern-day Emile Littré, Mark excels at identifying appropriate reference materials for students. One semester
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nuns choosing to or forced to leave their convents because of the Reformation, and learned hands-on the techniques used in woodcuts and engravings by the first artists of the early modern print age. German major Alexandra Dreher articulated her appreciation for the knowledge she gained from this interdisciplinary, humanities-based approach as follows: “Learning about the diversity of this expression of experience from a varied set of mediums enriched how I went about understanding the human
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dance program into the best it can be,” Brown explained. “I know that with the help of everyone involved, we can make it happen.” Brown will be teaching all dance related courses for the upcoming terms. In the fall, she will teach Introduction to Dance, Jazz 1, Modern 1, and Ballet 1. She will also serve as the Director of the Spring Dance concert, “Dance Continuum,” where students can perform in faculty, guest, and student choreography.Faculty Fun Facts I like to karaoke (“Build Me Up Buttercup
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remarkable evening of original choreography by PLU Dance Team and student choreographers. Alpha Psi Omega presents Antigone translated by Ian Johnston from Sophocles Performances: December 5-7 @ 7:30pm; Studio Theatre Some stories resonate through the millennia to connect with us still in the modern day. In Sophocles’ Antigone, one woman’s rage against the laws of Thebes turns the royal court on its head. The Prom the musical by Matthew Sklar, lyrics by Chad Beguelin, book by Bob Martin and Chad Beguelin
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in England, Germany, Greece, Mexico, and Peru. The experiences were fruitful for both students and professors, in spite of challenges presented by the pandemic. “Study away is one of the big reasons why I chose PLU,” says Anna Van Vleet, theater major. She visited Greece this J-term as a part of professor Antonios Finitsis’ Religions of the Ancient Mediterranean course. She chose to visit Greece because of its rich theater history. “Before I left, there were a lot of things I was worried about
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Encyclopedia of Africa. Farmington Hills, Michigan: The Gale Group, 2008. 517-528 volume 1 Celenko, Theodore. A Treasury of African Art: from the Harrison Eiteljorg Collection. Bloomington: Indiana University 1983. Hahner-Herzog, Iris, Maria Kecskési and László Vajda. Afrikanizche Masken; aus der Sammlung Barbier-Mueller, Genf. München, Germany: Prestel-Verlag, 1997. “Bete, Gre (Gle) Mask.”Artes Africanae. Accessed April 2015 at http://www.artesafricanae.org/eng/e-gall02_Bete/gall_Bete.htm
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Helsinki, Finland in 2012 and Wittenberg, Germany in 2017. In addition, she has presented scholarship at The Luther Renaissance: Past and Present (Evanston, IL ); Remembering the Past – Living the Future: Lutheran Tradition in Transition (Uppsala, Sweden 2013); Luther from the SubAltern (Aarhus, Denmark 2016, and Berkeley, CA 2017); Embodied Freedom Theological Conference (Minneapolis, MN 2017) and other national and international conferences of Lutheran scholars. In addition, she has presented papers
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