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PM | EASTVOLD AUDITORIUM - KAREN HILLE PHILLIPS CENTER, PLU Thanks to a generous endowment established by PLU alumnus Dr. Richard Weathermon ’50, the Dick and Helen Weathermon Joyful Noise Endowment for jazz studies created an annual two-day artist-in-residence program. Each year, this endowment allows us to bring a renowned jazz artist to campus to perform with the University Jazz Ensemble and a select local high school jazz band, to lead rehearsals and public master classes, and participate in

past dean of the Tacoma Chapter of the American Guild of Organists, and is past president of the Westfield Center for Keyboard Studies. Prior to his appointment at PLU, he taught at Bethany College in Lindsborg, KS. Tegels has performed extensively in solo and ensemble concerts in the United States, Europe, Japan, and New Zealand. He has performed at National Conventions of the Organ Historical Society, and has played some of the most significant organs in the US. As a lecturer, he has presented

building,” Anderson remembers. “In my experience, he did not know the word ‘no!’ — he was always willing to tackle the very next project, and to do it well!” As a PLU student, Chris was a member of the Wind Ensemble and majored in business administration with an emphasis in computer science. Away from campus, Chris was passionate about photography, woodworking, backpacking, skiing and cooking. He is remembered lovingly by his daughter and PLU staff member Sarah Daggett ‘07 ‘12 and his sons David

generated from “flue” pipes (analogous to a whistle or a recorder), the reed pipes create tone by means of a vibrating brass tongue that works similarly to the reed of a clarinet or saxophone. Differently-shaped resonators permit a variety of timbres that resemble woodwind and brass instruments, such as the trumpet, dulcian (a predecessor of the bassoon), oboe, and trombone. Reed pipes are used either for solo purposes or to add power to a full ensemble. The Gottfried and Mary Fuchs Organ is remarkable

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does it all with great humility. He performs extremely difficult music at the highest level. Max has been a regular cellist and mandolin player in the Jazz Ensemble and The Choir of the West premiered one of his choral pieces at their Spring concert. Max embodies all that our students strive to be. He was recently a standout performer in the North American premiere of Sandstrøm’s St. Matthew Passion, where he was a leader in the Evangelist quartet. Our faculty witnessed Max’s sharp attention to

/2014/09/vivace.mp3" }); }, preload: "auto", cssSelectorAncestor: "#player-1965", swfPath: "/wp-content/themes/plu/library/js/jplayer/jquery.jplayer.swf", supplied: "mp3", useStateClassSkin: true, autoBlur: false, smoothPlayBar: true, keyEnabled: true, remainingDuration: true, volume: 1 }); }); Flute Choir at PLU, Wednesday, Oct. 12, 2016. PLU Flutists performing in the State Capitol Building Flute Ensemble Recordings Renaissance for a New Millennium ( )Ricky Lombardo   Update Required To play the

different things, and I was able to pursue them at PLU, knowing that I would eventually have to set them aside to focus on paleontology. I took a lot of classes to do with art, writing and literature coursework. I also played tuba in the wind ensemble and the crazy pep band PLU had back then, known as “commando band.” I’m really glad in retrospect I did it that way. That would be advice I’d give any current student — look forward and prepare for your desired career, but don’t feel like you have to

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, green in the strong growing crops of corn and a multitude of vegetables. The wind was fierce and biting. And I was home. We were shown our cabins and told that the electricity would come on in a few hours, usually with the setting sun. We had dinner in the darkness, tables lit with dim candlelight, before man-made electricity illuminated the tables and the Zapotec women working hard to prepare our delicious food. Our cabin. Photo Credit: Camille LaRocca. La Nevería is a small pueblo two hours from